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Cannes 2026

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287 articles available in total starting from 06/10/2025. Last article published on 18/08/2026.

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Clio Barnard • Director of I See Buildings Fall Like Lighting

Interview: Clio Barnard • Director of I See Buildings Fall Like Lighting

“Everybody wanted the same thing, which was to see those five characters together on the screen”

CANNES 2026: The British director discusses her new film adaptation and shooting in Birmingham for the first time  

23/05 | Cannes 2026 | Directors' Fortnight

Review: Victorian Psycho

Review: Victorian Psycho

CANNES 2026: Zachary Wigon’s wickedly entertaining gothic comedy-horror is elevated by Maika Monroe’s gleefully unhinged performance and striking production design  

23/05 | Cannes 2026 | Un Certain Regard

Review: Death Has No Master

Review: Death Has No Master

CANNES 2026: Jorge Thielen Armand puts us in the shoes of a plantation heiress played by Asia Argento, who is forced into confronting her family’s colonial demons  

23/05 | Cannes 2026 | Directors’ Fortnight

Review: Elephants in the Fog

Review: Elephants in the Fog

CANNES 2026: Abinash Bikram Shah lights up the Croisette with his spirited feature debut, a thriller tackling a trans Nepalese matriarch searching for her disappeared daughter  

23/05 | Cannes 2026 | Un Certain Regard

Abinash Bikram Shah • Director of Elephants in the Fog

Interview: Abinash Bikram Shah • Director of Elephants in the Fog

"Society treats people from the margins and minorities as invisible, as if hidden in the fog"

CANNES 2026: The Nepali filmmaker Abinash Bikram Shah reflects on building an ensemble cast of trans women, working closely with the Kinnar community, and creating the film’s tender cinematic world  

23/05 | Cannes 2026 | Un Certain Regard

Review: I See Buildings Fall Like Lightning

Review: I See Buildings Fall Like Lightning

CANNES 2026: Clio Barnard returns with a hard-hitting ensemble drama set in working-class Birmingham, following five longtime friends as they face new challenges upon hitting 30  

23/05 | Cannes 2026 | Directors’ Fortnight

Katarina Rivilis • Director of I’ll Be Gone in June

Interview: Katarina Rivilis • Director of I’ll Be Gone in June

"This is like a Little Prince story: someone arrives from a different planet, learns through every encounter, and then has to leave again"

CANNES 2026: The German filmmaker spoke to us about falling in love with the desert landscape of New Mexico while shaping the film’s intimate and distinctive visual language  

23/05 | Cannes 2026 | Un Certain Regard

Review: The Dreamed Adventure

Review: The Dreamed Adventure

CANNES 2026: German filmmaker Valeska Grisebach’s long-awaited return is a realist film noir set in the border zone between Bulgaria and Turkey, enacted by a strong non-professional cast  

23/05 | Cannes 2026 | Competition

Review: Women on Trial

Review: Women on Trial

CANNES 2026: The feature by Lauriane Escaffre and Yvo Muller recounts the Bobigny trial, an historic moment in the advancement of women’s reproductive rights  

23/05 | Cannes 2026 | Special Screenings

Review: The Birthday Party

Review: The Birthday Party

CANNES 2026: Léa Mysius directs a sharp, tense and stripped back thriller telling a dark, modern tale about family and the return of the murky past in a nigh-on huis clos context  

22/05 | Cannes 2026 | Competition

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