Competition (The article continues below - Commercial information) 2412 articles available in total starting from 16/05/2002. Last article published on 13/10/2025. previous page: 1 2 3 [4] 5 6 7 8 ... 240 241 242 next Review: Silent FriendVENICE 2025: Ildikó Enyedi’s eccentric, charming film inspects a tree in a German university garden in three distinct time periods over the last century 06/09 | Venice 2025 | CompetitionInterview: Jim Jarmusch • Director of Father Mother Sister Brother“I’m very intuitive in what I do, not analytical”VENICE 2025: The US director shares some thoughts on his stories, his work and his love for cinema, veering off at times into some minute detail 05/09 | Venice 2025 | CompetitionInterview: Carla Simón • Director of Romería“We should start to remove the stigma surrounding AIDS”The Catalan filmmaker reflects on family and its darker sides, the stigmatisation of Spain’s 1980s generation and the conclusion of the trilogy she began with Summer 1993 and Alcarràs 05/09 | /Spain/GermanyReview: ElisaVENICE 2025: Loosely based on a real-life news item analysed in a criminology text, Leonardo Di Costanzo lends a voice to the perpetrator of a ferocious family crime 05/09 | Venice 2025 | CompetitionReview: The Voice of Hind RajabVENICE 2025: Kaouther Ben Hania’s powerful docudrama integrates the real emergency call from the six-year-old girl killed by the IDF with dramatised scenes 04/09 | Venice 2025 | CompetitionReview: DuseVENICE 2025: Pietro Marcello delivers an unconventional biopic on the iconic Italian theatre actress Eleonora Duse who’s sensitively played by Valeria Bruni Tedeschi 04/09 | Venice 2025 | CompetitionReview: The StrangerVENICE 2025: François Ozon achieves perfection with a sublime adaptation of Albert Camus' legendary novel that is captivating, refined, faithful and yet highly personal 02/09 | Venice 2025 | CompetitionInterview: François Ozon • Director of The Stranger"I like characters who are a bit mysterious, with an inner life"VENICE 2025: The French filmmaker discusses his adaptation of Albert Camus's famous novel, how he approached the opacity of the main character and contextualised the colonial era 01/09 | Venice 2025 | CompetitionInterview: Gianfranco Rosi • Director of Below the Clouds“Shooting in black and white has helped me to tell the story of a different Naples from the one in our imagination”VENICE 2025: The Italian director tells us about his documentary, a journey through space, time and memory, between what Naples has been and what it could be 01/09 | Venice 2025 | CompetitionReview: The Testament of Ann LeeVENICE 2025: Amanda Seyfried soars in Mona Fastvold’s musical reimagining of the life of the titular Shaker religious leader 01/09 | Venice 2025 | Competition previous page: 1 2 3 [4] 5 6 7 8 ... 240 241 242 next (The article continues below - Commercial information)