France / Germany 702 articles available in total starting from 03/07/2002. Last article published on 06/09/2025. previous page: 1 2 3 [4] 5 6 7 8 ... 69 70 71 next Review: Aisha Can’t Fly AwayCANNES 2025: Morad Mostafa crafts a debut feature that’s cinematically familiar in its festival aesthetic but is let down by a surface-level story despite its weighty themes 23/05 | Cannes 2025 | Un Certain RegardReview: YesCANNES 2025: Nadav Lapid valiantly attempts to take Israel’s temperature after 7 October but can only say so much from his soapbox 23/05 | Cannes 2025 | Directors’ FortnightReview: Sentimental ValueCANNES 2025: Joachim Trier comes close to going full Bergman in this touching family psychodrama but amps up the gentle humour 22/05 | Cannes 2025 | CompetitionReview: The Disappearance of Josef MengeleCANNES 2025: Kirill Serebrennikov’s latest feature is a rich, dense, complex, absorbing and eventually unbiased portrait of a fascist in exile 21/05 | Cannes 2025 | Cannes PremièreInterview: Sergei Loznitsa • Director of Two Prosecutors"It would be great if people from that time could watch my film"CANNES 2025: The Ukranian-born director discusses the novella that inspired his film, as well as the universal and the particular, the consequences of the Soviet era, and hope 20/05 | Cannes 2025 | CompetitionReview: Once Upon a Time in GazaCANNES 2025: In their humanistic, precise and relaxed style, brothers Arab and Tarzan Nasser put together the true and the false, reality and fiction, genre cinema and geo-political x-ray 19/05 | Cannes 2025 | Un Certain RegardReview: The Secret AgentCANNES 2025: Kleber Mendonça Filho creates a playful, choral and sophisticated cinematic partition in dizzying narrative arpeggio, revealing the dark memory of Brazil under dictatorship 19/05 | Cannes 2025 | CompetitionInterview: Hafsia Herzi • Director of The Little Sister"What inspired me in the novel was the character of a young lesbian woman, a Muslim, at odds with her faith, who is searching for her identity"CANNES 2025: The French filmmaker talks about why and how she adapted the novel by Fatima Daas, and what personal elements she brought to the film 19/05 | Cannes 2025 | CompetitionReview: A Useful GhostCANNES 2025: Ratchapoom Boonbunchachoke reveals his exceptional talent with a highly original, funny, subtle, inventive and intelligent first feature 17/05 | Cannes 2025 | Critics’ WeekReview: The Little SisterCANNES 2025: Hafsia Herzi directs with tenderness and energy the romantic journey of a young woman searching for new sensations but subjected to voluntary servitude 17/05 | Cannes 2025 | Competition previous page: 1 2 3 [4] 5 6 7 8 ... 69 70 71 next