Karlovy Vary 2025 (The article continues below - Commercial information) 75 articles available in total starting from 07/03/2025. Last article published on 22/07/2025. previous page: 1 2 3 [4] 5 6 7 8 next Review: Jimmy JaguarBence Fliegauf uses a pseudo-documentary form to trace how rumours of a folkloric demon evolve into a psychosocial phenomenon 10/07 | Karlovy Vary 2025 | CompetitionInterview: Jan Krevatin • Director of Greek Apricots“I think what’s important in any film is that multiple things are happening at the same time, in order to avoid one-dimensional readings”At Karlovy Vary, the Slovenian director is screening his delicate and moving short about a transient world and two people who make a brief connection 10/07 | Future Frames 2025Review: RenovationGabrielė Urbonaitė’s solo feature debut delivers a satisfying relationship dramedy that jumps into the nuances of having one’s status quo shaken up 10/07 | Karlovy Vary 2025 | ProximaReview: They Come Out of MargoThe eighth feature by Alexander Voulgaris is an idiosyncratic, experimental horror-musical that works best on a subconscious and visceral level 10/07 | Karlovy Vary 2025 | ProximaReview: Don't Call Me MamaNina Knag’s debut feature explores the limits of desire and the asymmetry of power through a forbidden love affair 10/07 | Karlovy Vary 2025 | CompetitionReview: When a River Becomes the SeaThe Catalonian film by Pere Vilà Barceló is a powerful, well-acted drama exploring sexual abuse, which relies on sharp character writing 10/07 | Karlovy Vary 2025 | CompetitionInterview: Maria Rigel • Director of Thus Spoke the Wind“The Armenian language is inherently poetic”The director discusses generational conflict, symbolic characters, Armenian identity and the emotional impact of music in her film 10/07 | Karlovy Vary 2025 | ProximaReview: Thus Spoke the WindMaria Rigel’s film is a visually compelling, if underwritten, work that explores resistance to change in an Armenian village 09/07 | Karlovy Vary 2025 | ProximaInterview: Dmytro Hreshko • Director of Divia“I didn’t want it to resonate only with documentary experts who know all the nuances of cinema; I wanted something more accessible”The Ukrainian director discusses choosing his film’s title, the difficulties he encountered while shooting and his intended target audience 09/07 | Karlovy Vary 2025 | CompetitionInterview: Jetske Lieber • Director of January“I wanted the film to be simple and specific, and to feel like a hug”The Amsterdam-based director unpicks the subtle yet powerful short film they are presenting as part of EFP’s Future Frames at Karlovy Vary 09/07 | Future Frames 2025 previous page: 1 2 3 [4] 5 6 7 8 next (The article continues below - Commercial information)