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France / Belgium

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1088 articles available in total starting from 24/02/2003. Last article published on 03/10/2025.

Review: Close

Review: Close

CANNES 2022: Lukas Dhont confirms the depths of his sensitivity and his gift for mise en scène via a splendid second feature harnessing a whirlwind of introverted emotions  

27/05/2022 | Cannes 2022 | Competition

Review: The Blue Caftan

Review: The Blue Caftan

CANNES 2022: Maryam Touzani’s second feature is a moving, poetic and beautifully acted story of love, death and fear  

27/05/2022 | Cannes 2022 | Un Certain Regard

Review: Rebel

Review: Rebel

CANNES 2022: Adil El Arbi and Bilall Fallah’s audacious action film, about brothers going to Syria and being forced to fight for ISIS, is a fierce attack on the senses  

27/05/2022 | Cannes 2022 | Midnight Screenings

Review: Dodo

Review: Dodo

CANNES 2022: Pános H Koútras’ new outing is a patchy comedy of errors, where there’s little to tell or to laugh about  

27/05/2022 | Cannes 2022 | Cannes Première

Luc and Jean-Pierre Dardenne • Directors of Tori and Lokita

Interview: Luc and Jean-Pierre Dardenne • Directors of Tori and Lokita

“The fate of migrants, of exiles, that we reserve, is the big question our society faces"

CANNES 2022: The Belgian brothers talk to us about their new film that shows the inexorability of the mechanisms of domination that govern human relations  

26/05/2022 | Cannes 2022 | Competition

Review: The Green Perfume

Review: The Green Perfume

CANNES 2022: Nicolas Pariser tries his hand at a spy comedy in the playful spirit of a comic book, but this perfect replica slides into autopilot once its initial pace has peaked  

26/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Tori and Lokita

Review: Tori and Lokita

CANNES 2022: Jean-Pierre and Luc Dardenne return to the fundamentals of their filmmaking with a impressively refined story about two children who were left behind  

25/05/2022 | Cannes 2022 | Competition

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

CANNES 2022: The film is world-premiering in competition, and Lumière is piloting a new accounting solution with innovative tech company FilmChain  

25/05/2022 | Cannes 2022 | Competition

Serge Bozon • Director of Don Juan

Interview: Serge Bozon • Director of Don Juan

“This film lent itself to the idea of a Don Juan who would not be this figure of swaggering manhood, getting everything he wants”

CANNES 2022: After presenting his new musical, the French filmmaker explains why he likes to venture into places that we wouldn’t expect of him  

23/05/2022 | Cannes 2022 | Cannes Première

Review: Return to Seoul

Review: Return to Seoul

CANNES 2022: Davy Chou confirms his talent with a highly effective second fiction feature about a turbulent and touching initiatory journey tracing back an adoption  

23/05/2022 | Cannes 2022 | Un Certain Regard

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