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1088 articles available in total starting from 24/02/2003. Last article published on 03/10/2025.

Ursula Meier • Director of The Line

Interview: Ursula Meier • Director of The Line

“Usually in cinema, violence is shown through male protagonists, and when there are women, they’re mostly teenagers”

BERLINALE 2022: The French-Swiss director’s tragicomedy deals with the representation of female violence, casting aside the usual stereotypes  

18/02/2022 | Berlinale 2022 | Competition

Ben Stassen and Benjamin Mousquet • Directors of Chickenhare and the Hamster of Darkness

Interview: Ben Stassen and Benjamin Mousquet • Directors of Chickenhare and the Hamster of Darkness

"An action scene only takes up half a page in the script, but it takes 6 months to animate!"

We met with the directors of this family adventure film, a brand-new offering from Belgian film studio nWave, which is the flagship of exported European animation  

16/02/2022 | /Belgium/France/USA

Review: Chickenhare and the Hamster of Darkness

Review: Chickenhare and the Hamster of Darkness

Ben Stassen and Benjamin Mousquet deliver an energetic and entertaining family adventure on the universal theme of self-acceptance which is an ode to mixed culture and friendship  

15/02/2022 | Films | Reviews | Belgium/France/USA

Quentin Dupieux  • Director of Incredible but True

Interview: Quentin Dupieux • Director of Incredible but True

“If you explain too much, suddenly it turns into a terrible movie”

BERLINALE 2022: In his new film, the French director has a secret, and he is going to keep it  

13/02/2022 | Berlinale 2022 | Berlinale Special

Review: Dreaming Walls

Review: Dreaming Walls

Amélie Van Elmbt and Maya Duverdier deliver a documentary portrait of the legendary Chelsea Hotel, paying a historic, fantasy visit to this bohemian New York Mecca  

12/02/2022 | Berlinale 2022 | Panorama

Review: Incredible but True

Review: Incredible but True

BERLINALE 2022: With his latest film, Quentin Dupieux will be able to turn anyone into a “basement person”  

12/02/2022 | Berlinale 2022 | Berlinale Special

Review: The Line

Review: The Line

BERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud  

11/02/2022 | Berlinale 2022 | Competition

Alain Guiraudie  • Director of Nobody’s Hero

Interview: Alain Guiraudie • Director of Nobody’s Hero

"The film plays with cliches a lot"

BERLINALE 2022: Terrorist attacks, collective paranoia, the French province torn between the past and the present: the French filmmaker tells us about his film, which opened the Panorama section  

11/02/2022 | Berlinale 2022 | Panorama

Review: Peter von Kant

Review: Peter von Kant

BERLINALE 2022: In his occasionally amusing, occasionally absurd tribute to Fassbinder, François Ozon wants to have his champagne and drink it  

11/02/2022 | Berlinale 2022 | Competition

Review: Nobody’s Hero

Review: Nobody’s Hero

BERLINALE 2022 : Alain Guiraudie examines the psyche of “Deep France” through an unrestrained vaudeville both tender and ironic, against the backdrop of fears about terrorist attacks and immigrants  

10/02/2022 | Berlinale 2022 | Panorama

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