email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

France

(The article continues below - Commercial information)
insularia_Josué

11770 articles available in total starting from 17/05/2002. Last article published on 21/09/2026.

Review: The Burning Giants

Review: The Burning Giants

VENICE 2026: Phuttiphong Aroonpheng returns to the Lido with a multi-stranded, surreal thriller on Thailand’s persecution of its indigenous Karen group  

07/09 | Venice 2026 | Orizzonti

Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop

Interview: Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop

"The western cannot be reserved for male wounds"

VENICE 2026: The whimsical directorial duo tell us more about their new film, in which they playfully borrow from the western genre to explore how sexual trauma can become transgenerational  

06/09 | Venice 2026 | Orizzonti

Review: Father Joe

Review: Father Joe

VENICE 2026: Kiefer Sutherland and Al Pacino face off as a vengeful priest and a greedy mob boss in Barthélémy Grossmann’s entertaining, Luc Besson-penned action flick  

06/09 | Venice 2026 | Venice Open Out of Competition

Review: It Will Happen Tonight

Review: It Will Happen Tonight

VENICE 2026: Nanni Moretti once again adapts Israeli writer Eshkol Nevo with a passionate melodrama that oscillates between the joyful and the melancholic, and packs in all the hallmarks of his cinema  

05/09 | Venice 2026 | Competition

Lili Horvát • Director of My Notes on Mars

Interview: Lili Horvát • Director of My Notes on Mars

“I am drawn to exceptionally intelligent female characters who dare to make bold and surprising decisions”

VENICE 2026: The Hungarian director talks about her third feature, a film that, while intertwining science fiction and intimacy, investigates the fear of losing a loved one  

05/09 | Venice 2026 | Giornate degli Autori

Review: Diane in the Loop

Review: Diane in the Loop

VENICE 2026: Ann Sirot and Raphaël Balboni apply their distinctive signature to a new genre, the modern western  

05/09 | Venice 2026 | Orizzonti

Cédric Kahn • Director of A Place to Heal

Interview: Cédric Kahn • Director of A Place to Heal

"I wanted to make a visceral, joyful film about a terrible subject"

VENICE 2026: The French filmmaker explains why he decided to tackle young people's mental health and how he infused documentary material with fiction  

05/09 | Venice 2026 | Competition

Review: Jupiter

Review: Jupiter

VENICE 2026: Denis Ménochet carries a nation’s fate on his shoulders in Alexandre Smia’s gripping and effective nuclear thriller, inspired by the current geopolitical reality  

05/09 | Venice 2026 | Out of Competition

Review: A Place to Heal

Review: A Place to Heal

VENICE 2026: Cédric Kahn brilliantly stages a highly dynamic and lively ensemble film set at the heart of a child and adolescent psychiatry unit  

04/09 | Venice 2026 | Competition

Review: House of the Wind

Review: House of the Wind

VENICE 2026: Auguste Bernard Kouemo Yanghu delivers a highly authentic debut feature film about an elderly Cameroonian mother trying to preserve her bond with her children who have moved to Europe  

04/09 | Venice 2026 | Orizzonti

(The article continues below - Commercial information)

Privacy Policy