Orizzonti (The article continues below - Commercial information) 287 articles available in total starting from 03/09/2005. Last article published on 14/09/2026. previous page: 1 2 3 4 [5] 6 7 8 ... 27 28 29 next Interview: Carolina Cavalli • Director of The Kidnapping of Arabella“I like irony that borders on the absurd because it reflects human existence, how uncertain and contradictory it is"VENICE 2025: We talked to the Italian director about non-places, the camp aesthetic and characters that reflect the confusion and disorientation of today 31/08/2025 | Venice 2025 | OrizzontiReview: The Kidnapping of ArabellaVENICE 2025: Carolina Cavalli’s sophomore feature uses off-kilter dramedy to reflect on an emerging generation disappointed with their lives 31/08/2025 | Venice 2025 | OrizzontiInterview: Mihai Mincan • Director of Milk Teeth“What I’ve tried to do is not make some kind of ‘autobiographical memory’ film, but rather convey a feeling of loneliness”VENICE 2025: The Romanian director talks about blending historical reality, childhood memories and the weight of silence 31/08/2025 | Venice 2025 | OrizzontiInterview: Jaume Claret Muxart • Director of Strange River“It's an educational film: about desire and sexuality”VENICE 2025: The debuting Catalan filmmaker talks to us about his first feature, shot on 16 mm while cycling along the Danube with his family, with sexual awakening as its backdrop 30/08/2025 | Venice 2025 | OrizzontiInterview: Tereza Nvotová • Director of Father“What got me intrigued, even obsessed, was that moment when everything turns and you’re dropped into a parallel universe”VENICE 2025: The Slovak director takes on a macabre subject, following a decent man and father into a spiral of horror, after a memory lapse changes his and others’ lives 29/08/2025 | Venice 2025 | OrizzontiReview: Milk TeethVENICE 2025: Mihai Mincan’s feature uses documentary-like realism to portray a child’s disappearance amid political upheaval and personal grief 29/08/2025 | Venice 2025 | OrizzontiReview: Strange RiverVENICE 2025: Jaume Claret Muxart's debut is a beautiful and sensitive physical and mental journey towards the discovery of sexual desire and the first stirrings of individuality - in short, of freedom 29/08/2025 | Venice 2025 | OrizzontiReview: FatherVENICE 2025: Tereza Nvotová proves that you can, and always should, make a compulsively watchable film about the most harrowing subject 29/08/2025 | Venice 2025 | OrizzontiInterview: Teona Strugar Mitevska • Director of Mother"I have always wanted to make Mother Teresa a punk icon"VENICE 2025: We met up with the Macedonian-born, Belgian-based filmmaker to talk about her new film, an anti-biopic of Mother Teresa 28/08/2025 | Venice 2025 | OrizzontiReview: MotherVENICE 2025: Teona Strugar Mitevska places us in Mother Teresa’s head for a few days, as she dispels the last remaining doubts stopping her from fulfilling her wildest ambition 27/08/2025 | Venice 2025 | Orizzonti previous page: 1 2 3 4 [5] 6 7 8 ... 27 28 29 next (The article continues below - Commercial information)