Sarajevo 2024 50 articles available in total starting from 30/01/2024. Last article published on 23/10/2024. previous page: 1 2 3 4 [5] Review: Three Kilometres to the End of the WorldCANNES 2024: In the best Romanian tradition, Emanuel Pârvu spins a highly sophisticated yarn in a small village in the Danube Delta where a brutal event sees diverging interests intertwined 17/05/2024 | Cannes 2024 | CompetitionReview: Fragments of IceOne father’s journey morphs into a trip down memory lane for his daughter, director Maria Stoianova 22/04/2024 | Visions du Réel 2024Second edition of Going European now underwayFive pairs of authors have been selected by the training programme steered by the CNC, in partnership with Series Mania, Conecta Fiction & Entertainment and the Sarajevo CineLink Industry Days 18/03/2024 | Series Mania 2024 | Series Mania ForumInterview: Yorgos Zois • Director of Arcadia"I always like it when somebody takes me by the hand into a journey to the unknown"BERLINALE 2024: The Greek director delves into his second film, a haunting story of love, loss, acceptance and letting go 04/03/2024 | Berlinale 2024 | EncountersInterview: Roman Bondarchuk • Director of The Editorial Office"This film is a response to the surreal reality of the media, not just Ukrainian, but universal"BERLINALE 2024: The Ukrainian filmmaker discusses his playful media and political satire, shot in Kherson shortly before the Russian invasion 28/02/2024 | Berlinale 2024 | ForumInterview: Andrei Cohn • Director of Holy Week“My main character is pushed into a place where he becomes unable to distinguish between real and imaginary threats”BERLINALE 2024: The director’s third picture, a loose adaptation of a novella by Ion Luca Caragiale, explores antisemitism in a Romanian village circa 1900 22/02/2024 | Berlinale 2024 | ForumReview: Holy WeekBERLINALE 2024: Andrei Cohn’s period drama dissects the cycle of violence through the story of a Jewish innkeeper in the Romanian countryside 20/02/2024 | Berlinale 2024 | ForumReview: ArcadiaBERLINALE 2024: Yorgos Zois’s second feature sets out as a mysterious erotic thriller with psychological elements, but gradually melts into a predictable relationship (melo)drama 19/02/2024 | Berlinale 2024 | EncountersReview: The Editorial OfficeBERLINALE 2024: Returning to the deep south of his native Ukraine, Roman Bondarchuk creates a smart, often outlandish but carefully observed reflection on the local media 17/02/2024 | Berlinale 2024 | ForumReview: A Picture to RememberOlga Chernykh delivers a lyrical exploration of her heritage in the Donbass, offering up a war diary and linking it with her family’s story by way of images from their own personal archive 30/01/2024 | Trieste 2024 previous page: 1 2 3 4 [5]