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Toronto 2022

81 articles available in total starting from 21/01/2022. Last article published on 21/09/2022.

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Toronto’s competitive Platform section announces its titles

Toronto’s competitive Platform section announces its titles

10 world premieres, half of which are either full or part-European productions, will compete for the Platform Prize at next month’s festival  

04/08/2022 | Toronto 2022 | Platform

Toronto unveils a colourful first wave of selections

Toronto unveils a colourful first wave of selections

39 world premieres, and various prime cuts from Cannes, Venice and Telluride have been announced for the September gathering  

01/08/2022 | Toronto 2022

Review: Blind Willow, Sleeping Woman

Review: Blind Willow, Sleeping Woman

Pierre Földes succeeds in a captivating adaptation of Haruki Murakami's short stories, finding the ideal balance between narrative subtlety and openness to all audiences  

17/06/2022 | Annecy 2022

Patricio Guzmán • Director of My Imaginary Country

Interview: Patricio Guzmán • Director of My Imaginary Country

“The future is not written; the protestors are working towards a society that they would like and hope to see”

CANNES 2022: The Chilean helmer picks apart his documentary on the revolutionary events that took place in his home country in October 2019  

01/06/2022 | Cannes 2022 | Special Screenings

Review: Ashkal

Review: Ashkal

CANNES 2022: In Youssef Chebbi’s pensive thriller, mysterious self-immolations abound at a Tunisian housing development associated with the pre-revolutionary regime  

01/06/2022 | Cannes 2022 | Directors’ Fortnight

Véréna Paravel, Lucien Castaing-Taylor • Directors of De Humani Corporis Fabrica

Interview: Véréna Paravel, Lucien Castaing-Taylor • Directors of De Humani Corporis Fabrica

"We were mainly interested in the perversity of our relationship with our bodies"

CANNES 2022: The new documentary by French-British directors and anthropologists opens the human body to the cinema  

01/06/2022 | Cannes 2022 | Directors' Fortnight

Marie Kreutzer • Director of Corsage

Interview: Marie Kreutzer • Director of Corsage

“Even in my serious films, I like to create some laughter”

CANNES 2022: The Austrian director talks about blending drama and humour, Empress Elisabeth’s journey to freedom – and dogs  

31/05/2022 | Cannes 2022 | Un Certain Regard

Review: Will-o’-the-Wisp

Review: Will-o’-the-Wisp

CANNES 2022: Portuguese filmmaker Joāo Pedro Rodrigues’ latest effort is a queer musical-fantasy about a dying king, set suggestively in the year 2069  

31/05/2022 | Cannes 2022 | Directors’ Fortnight

Erige Sehiri • Director of Under the Fig Trees

Interview: Erige Sehiri • Director of Under the Fig Trees

“There is no sign of modernity in nature; it’s in these women, and especially the young girls”

CANNES 2022: The French-Tunisian director and producer breaks down several aspects of her beautiful and timeless narrative feature debut  

31/05/2022 | Cannes 2022 | Directors’ Fortnight

Chie Hayakawa • Director of Plan 75

Interview: Chie Hayakawa • Director of Plan 75

"There is a feeling of hatred among young people towards elderly in Japanese society, because they think they have to pay for them and won’t get anything back"

CANNES 2022: The Japanese director discusses her first feature, a film of great acuity about the topic of euthanasia which received a Special Mention from the Caméra d'Or jury  

30/05/2022 | Cannes 2022 | Un Certain Regard

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