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1253 articles available in total starting from 16/01/2003. Last article published on 18/09/2026.

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Bruno Dumont • Director of Red Rocks

Interview: Bruno Dumont • Director of Red Rocks

“I wanted to return to something primary, where everything begins"

CANNES 2026: One of France’s most unusual filmmakers surprises once again by confronting the limitations of the modern world while striving towards a bright utopia  

21/05 | Cannes 2026 | Directors’ Fortnight

Review: The Man I Love

Review: The Man I Love

CANNES 2026: Ira Sachs’ late 1980s-set musical drama struggles to find the emotional truth it seems determined to attain  

21/05 | Cannes 2026 | Competition

Review: Red Rocks

Review: Red Rocks

CANNES 2026: Bruno Dumont heads south and reinvents the classic “love story” against a backdrop of class struggle and through the lens of early childhood in a bold and technically accomplished film  

20/05 | Cannes 2026 | Directors’ Fortnight

Review: I’ll Be Gone in June

Review: I’ll Be Gone in June

CANNES 2026: Katharina Rivilis crafts a marvelous debut film based on her own experience as an exchange student in New Mexico  

17/05 | Cannes 2026 | Un Certain Regard

Review: Paper Tiger

Review: Paper Tiger

CANNES 2026: James Gray’s latest New York tragedy, starring Adam Driver and Miles Teller as fraternal business partners, is one part shoddiness to several parts sublimity  

17/05 | Cannes 2026 | Competition

Review: Double Freedom

Review: Double Freedom

CANNES 2026: Lisandro Alonso makes a welcome return to the territory of his pathbreaking film Freedom, tracking the life of the same Las Pampas woodcutter 25 years later  

16/05 | Cannes 2026 | Directors’ Fortnight

Manuela Martelli • Director of The Meltdown

Interview: Manuela Martelli • Director of The Meltdown

“Both Chile and Germany have a very clear moment in their history when they started to regain their democracy”

CANNES 2026: The director of 1976 discusses the political and interpersonal stakes in her sophomore feature  

16/05 | Cannes 2026 | Un Certain Regard

Review: The Meltdown

Review: The Meltdown

CANNES 2026: Manuella Martelli crafts a subtle, atmospheric and allusive work about a mysterious disappearance in a hotel in the mountains  

14/05 | Cannes 2026 | Un Certain Regard

Review: Butterfly Jam

Review: Butterfly Jam

CANNES 2026: In the third feature by Kantemir Balagov, Barry Keoghan’s newest single-father character is caught up in a crisis of masculinity with his teenage son  

14/05 | Cannes 2026 | Directors’ Fortnight

Wild Filmmaker goes to Cannes’ Marché du Film with Comedy of the Moon

Wild Filmmaker goes to Cannes’ Marché du Film with Comedy of the Moon

Michele Diomà’s fairy tale dedicated to the history of cinema will kick off sales at the market  

08/05 | Sponsored

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