Venice 2018 (The article continues below - Commercial information) 158 articles available in total starting from 12/02/2018. Last article published on 02/11/2018. previous page: 1 2 3 4 [5] 6 7 8 ... 14 15 16 next Still Recording scoops two awards in Venice's International Film Critics’ WeekVENICE 2018: Blonde Animals by Alexia Walther and Maxime Matray also wins a prize 08/09/2018 | Venice 2018 | International Film Critics’ Week/AwardsReview: You Have the NightVENICE 2018: In his first feature film, Ivan Salatić gives a feeling of lifelessness and desolation to a space where life is slowly disappearing 07/09/2018 | Venice 2018 | International Film Critics' WeekAttendance increases at the Venice Production BridgeThe third edition of the Venice Film Festival's industry initiative welcomed a total of 2,470 professionals 07/09/2018 | Venice 2018 | IndustryInterview: Mario Martone • Director"Emancipation via a group experience in Capri"VENICE 2018: Neapolitan director Mario Martone is competing at Venice Film Festival with Capri-Revolution, and talked to us about it 07/09/2018 | Venice 2018 | CompetitionReview: One Nation, One KingVENICE 2018: Pierre Schoeller paints a captivating and uneven fresco portraying the early years of the French Revolution 07/09/2018 | Venice 2018 | Out of CompetitionReview: The Summer HouseVENICE 2018: In her newest film, actress-director Valeria Bruni Tedeschi once again touches upon her own life 07/09/2018 | Venice 2018 | Out of Competition Review: 1938 DiversiVENICE 2018: Italy’s Giorgio Treves directs an in-depth and valid investigation into some very difficult years in recent Italian history 07/09/2018 | Venice 2018 | Out of CompetitionReview: MVENICE 2018: Shown in Venice's International Film Critics’ Week, Anna Eriksson’s take on Marilyn Monroe swaps movie star glamour for relentless despair 07/09/2018 | Venice 2018 | International Film Critics’ WeekReview: Manta RayVENICE 2018: Phuttiphong Aroonpheng puts his name to an atmospheric and cryptic first film which shows great promise in terms of form, but which verges on the abstract 07/09/2018 | Venice 2018 | Orizzonti Review: TrukVENICE 2018: The engrossing debut by French director Sarah Marx deals with prison and depression 07/09/2018 | Venice 2018 | Orizzonti previous page: 1 2 3 4 [5] 6 7 8 ... 14 15 16 next (The article continues below - Commercial information)