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Cannes 2017

161 articles available in total starting from 31/01/2017. Last article published on 09/06/2017.

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Pure Hearts: Two parallel worlds collide

Pure Hearts: Two parallel worlds collide

CANNES 2017: With his first piece, young director Roberto De Paolis observes young people from small working-class suburbs, with the same poetry as Claudio Giovannesi’s films  

23/05/2017 | Cannes 2017 | Directors’ Fortnight

Review: Montparnasse Bienvenüe

Review: Montparnasse Bienvenüe

CANNES 2017: Léonor Serraille unveils a promising feature-length debut with this lively tragicomedy, starring a fabulous Laetitia Dosch  

23/05/2017 | Cannes 2017 | Un Certain Regard

Jeannette, the Childhood of Joan of Arc: A daughter of France tries her luck on the X Factor

Jeannette, the Childhood of Joan of Arc: A daughter of France tries her luck on the X Factor

CANNES 2017: Bruno Dumont raises a laugh while assaulting our eardrums in this pastoral musical comedy based on a play by Charles Péguy  

23/05/2017 | Cannes 2017 | Directors’ Fortnight

A dilemma in the face of The Intruder

A dilemma in the face of The Intruder

CANNES 2017: Cohesion, rigour and balance are the three pillars of Leonardo Di Costanzo’s second film, offering further proof of skills honed during his career as a documentary filmmaker  

23/05/2017 | Cannes 2017 | Directors’ Fortnight

Propellor Film Tech Hub evolves the film industry’s business models at NEXT

Propellor Film Tech Hub evolves the film industry’s business models at NEXT

CANNES NEXT: At the “Propelling the Film Industry into the Future” conference, supported by Creative Europe, the groundbreaking initiative was presented along with the findings of its pilot phase  

23/05/2017 | Cannes 2017 | Market

The Killing of a Sacred Deer: Black magic

The Killing of a Sacred Deer: Black magic

CANNES 2017: Yorgos Lanthimos puts Colin Farrell and Nicole Kidman in a perilous situation in a film that is visually very accomplished but severely lacking conceptually  

22/05/2017 | Cannes 2017 | Competition

A Violent Life: The rule of blood

A Violent Life: The rule of blood

CANNES 2017: Thierry de Peretti straddles the dangerous and opaque border between Corsican nationalism and crime with a realist, crepuscular film  

22/05/2017 | Cannes 2017 | Critics' Week

Out: Caught in the net of an immeasurable world

Out: Caught in the net of an immeasurable world

CANNES 2017: Slovak filmmaker György Kristóf unveils his first feature; a film of substantial formal quality that straddles the gap between social realism and absurdist parable  

22/05/2017 | Cannes 2017 | Un Certain Regard

Happy End: A step back for Michael Haneke

Happy End: A step back for Michael Haneke

CANNES 2017: After winning two Palmes d’Or, the Austrian filmmaker is back, in a somewhat icy setting, to working with the more familiar themes of his films before The White Ribbon  

22/05/2017 | Cannes 2017 | Competition

Alive in France: Abel Ferrara on tour… de France

Alive in France: Abel Ferrara on tour… de France

CANNES 2017: The "King of New York" plays music from his Bad Lieutenant and other films in Paris and Toulouse, in an intoxicating slice of musical autobiography  

22/05/2017 | Cannes 2017 | Directors’ Fortnight

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