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France

10829 articles available in total starting from 17/05/2002. Last article published on 13/06/2025.

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Antony Cordier • Director of The Party's Over!

Interview: Antony Cordier • Director of The Party's Over!

“I recognised myself in the main character, in his situation, his reactions, his complexes and his problems”

CANNES 2025: The French director uses humour to talk about prejudices and privileges based on social classes in his latest satire  

23/05 | Cannes 2025 | Director's Fortnight

Hlynur Pálmason • Director of The Love That Remains

Interview: Hlynur Pálmason • Director of The Love That Remains

“There’s a lot of beauty, and you really need to take care of it – it’s so easy to take things for granted”

CANNES 2025: The Icelandic director talks about his, in a way, very strange creative process  

23/05 | Cannes 2025 | Cannes Première

Imago receives the Golden Eye in Cannes

Imago receives the Golden Eye in Cannes

CANNES 2025: Déni Oumar Pitsaev’s film takes the crown for Best Documentary screened this year on the Croisette; Special Mention for The Six Billion Dollar Man  

23/05 | Cannes 2025 | Awards

First Summer triumphs in Cannes' La Cinef Selection

First Summer triumphs in Cannes' La Cinef Selection

CANNES 2025: South Korea's Heo Gayoung wins the first prize and China's Qu Zhizheng wins the second prize ; Japan's Miki Tanaka and Estonia's Natalia Mirzoyan also in the awards list  

23/05 | Cannes 2025 | Awards

Fred Burle, Géraldine Sprimont, Lionel Massol • Producers

Interview: Fred Burle, Géraldine Sprimont, Lionel Massol • Producers

“Dancing between creativity and finances is exactly what makes producers’ work so thrilling and interesting”

CANNES 2025: The producers from Germany, Belgium and France discuss their projects and their attendance at the festival through the EFP initiative Producers on the Move  

23/05 | Producers on the Move 2025

Review: Dandelion's Odyssey

Review: Dandelion's Odyssey

CANNES 2025: Momoko Seto’s film is a visually stunning but slow-paced animation about four dandelion seeds, which favours atmosphere over narrative  

23/05 | Cannes 2025 | Critics’ Week

Review: The Girls We Want

Review: The Girls We Want

CANNES 2025: Prïncia Car’s debut feature is an ambitious but muddled coming-of-age tale  

23/05 | Cannes 2025 | Directors’ Fortnight

Mario Martone • Director of Fuori

Interview: Mario Martone • Director of Fuori

“Every human being can feel trapped and only our imagination can free us”

CANNES 2025: The Italian filmmaker tells us about his dive, through fiction, into the universe of cult writer Goliarda Sapienza and 1980 Rome  

23/05 | Cannes 2025 | Competition

Kirill Serebrennikov • Director of The Disappearance of Josef Mengele

Interview: Kirill Serebrennikov • Director of The Disappearance of Josef Mengele

"I wanted to get a grasp of the collective system called Mengele – the people who helped him, protected him, funded him, hid him"

CANNES 2025: The Russian director in exile elaborates on his motivation to dissect a Nazi mind on screen and reveals behind-the-scenes production details  

23/05 | Cannes 2025 | Cannes Première

Thierry Klifa • Director of The Richest Woman in the World

Interview: Thierry Klifa • Director of The Richest Woman in the World

“This is the story of a girl who discovers that her mother is capable of love, even though she has never loved her”

CANNES 2025: The French filmmaker talks about the origins and the stakes of his new feature, which fictionalises the Liliane Bettencourt case  

23/05 | Cannes 2025 | Out of competition

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