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Seville 2018

68 articles available in total starting from 19/01/2018. Last article published on 19/11/2018.

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Review: Shéhérazade

Review: Shéhérazade

CANNES 2018: An ultra-realist portrait of juvenile delinquency in Marseille, and a surprising and engaging love story to boot, courtesy of Jean-Bernard Marlin  

12/05/2018 | Cannes 2018 | Critics’ Week

Review: Sorry Angel

Review: Sorry Angel

CANNES 2018: Christophe Honoré indulges in a film of great richness and scope, intermingling drama and distance, romantic love and physical passion  

11/05/2018 | Cannes 2018 | Competition

Review: Sauvage

Review: Sauvage

CANNES 2018: Camille Vidal-Naquet immerses us in a world of male prostitution where brutality, freedom of choice and the search for love endlessly collide. This is a film which takes no prisoners  

10/05/2018 | Cannes 2018 | Critics’ Week

Review: Samouni Road

Review: Samouni Road

CANNES 2018: Stefano Savona's latest documentary – filmed in the Gaza Strip – is a unique and innovative film that makes use of Simone Massi's lyrical and dramatic animation  

10/05/2018 | Cannes 2018 | Directors' Fortnight

Review: Donbass

Review: Donbass

CANNES 2018: Sergei Loznitsa plunges into the heart of the eastern Ukrainian conflict with an impressionist, dark and scathing film – a tragicomedy with absurdist undertones  

09/05/2018 | Cannes 2018 | Un Certain Regard

Review: Mariphasa

Review: Mariphasa

BERLIN 2018: The second feature by Portugal’s Sandro Aguilar is an anti-narrative experiment that unfolds in a nightmarish version of Lisbon  

02/03/2018 | Berlinale 2018 | Forum

Review: The Tree

Review: The Tree

BERLIN 2018: Portuguese filmmaker André Gil Mata's film is pure cinema, inviting comparisons to his mentor Béla Tarr and some of the greatest directors ever  

28/02/2018 | Berlinale 2018 | Forum

Review: The Silence of Others

Review: The Silence of Others

BERLIN 2018: This film by Almudena Carracedo and Rober Bahar, produced by the Almodóvar brothers, screams out for justice for the unpunished crimes of the Franco regime  

28/02/2018 | Berlinale 2018 | Panorama Dokumente

Review: Victory Day

Review: Victory Day

BERLIN 2018: In his new outing, Sergei Loznitsa turns his camera towards the 9 May parade at the Soviet War Memorial in Berlin  

27/02/2018 | Berlinale 2018 | Forum

Adina Pintilie • Director of Touch Me Not

Interview: Adina Pintilie • Director of Touch Me Not

"I hope the film can open a dialogue and foster empathy, inclusion and freedom of expression"

BERLIN 2018: Romanian director Adina Pintilie explores the challenges of making her first film, Touch Me Not  

23/02/2018 | Berlinale 2018 | Competition

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