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Venice 2025

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163 articles available in total starting from 28/04/2025. Last article published on 30/10/2025.

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Mark Jenkin • Director of Rose of Nevada

Interview: Mark Jenkin • Director of Rose of Nevada

“Every film is a ghost film”

VENICE 2025: The British director discusses his new movie, in which a lost fishing vessel takes two young men into the past in a coastal village in Cornwall  

05/09 | Venice 2025 | Orizzonti

Review: Who Is Still Alive

Review: Who Is Still Alive

VENICE 2025: Nicolas Wadimoff brings nine Palestinian refugees together to listen to stories about their previous lives in Gaza, lending a face to the despair of a people who are losing everything  

04/09 | Venice 2025 | Giornate degli Autori

Giulio Bertelli • Director of AGON

Interview: Giulio Bertelli • Director of AGON

“I’m very interested in the elements hidden within each sport”

VENICE 2025: The Italian director unpicks his close-up study of three female athletes competing at an Olympic event  

04/09 | Venice 2025 | International Film Critics’ Week

Review: I Want Her Dead

Review: I Want Her Dead

VENICE 2025: Gianluca Matarrese continues to demonstrate his mastery of the conversation-centric documentary, turning his camera on his own family  

04/09 | Venice 2025 | Giornate degli Autori

Review: Waking Hours

Review: Waking Hours

VENICE 2025: Federico Cammarata and Filippo Foscarini’s modest documentary stays in the darkness, but it makes its point very clearly  

04/09 | Venice 2025 | International Film Critics’ Week

Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

Interview: Stergios Dinopoulos, Krysianna B Papadakis • Directors of Bearcave

"The two protagonists represent the dualism of the people who live in those areas"

VENICE 2025: The pair of directors talk about their feature debut, which broaches topics such as friendship, bravery and the desire to escape  

04/09 | Venice 2025 | Giornate degli Autori

Damien Hauser • Director of Memory of Princess Mumbi

Interview: Damien Hauser • Director of Memory of Princess Mumbi

"Compared to when I used it in the movie, the AI ​​has improved a lot and it's even a little scary"

VENICE 2025: The Swiss-Kenyan filmmaker whisks us off to the year 2093, on the trail of a director who has to make a documentary about a devastating war, if possible without using AI  

04/09 | Venice 2025 | Giornate degli Autori

Cyril Aris • Director of A Sad and Beautiful World

Interview: Cyril Aris • Director of A Sad and Beautiful World

"I try to tell the story of Lebanon today and its ups and downs through the story of a couple with two different worldviews"

VENICE 2025: The Lebanese director talks to us about his debut fiction feature, a love story set against the backdrop of a deeply scarred country, Lebanon  

04/09 | Venice 2025 | Giornate degli Autori

Lucrecia Martel • Director of Landmarks

Interview: Lucrecia Martel • Director of Landmarks

“When you think of lands that are taken from indigenous people, you think of raw materials – but there is also the beauty itself that is stolen”

VENICE 2025: The Argentinian director discusses her first documentary film, which was 15 years in the making  

04/09 | Venice 2025 | Out of Competition

Review: The Voice of Hind Rajab

Review: The Voice of Hind Rajab

VENICE 2025: Kaouther Ben Hania’s powerful docudrama integrates the real emergency call from the six-year-old girl killed by the IDF with dramatised scenes  

04/09 | Venice 2025 | Competition

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