email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

France

(The article continues below - Commercial information)

11145 articles available in total starting from 17/05/2002. Last article published on 14/11/2025.

Sébastien Betbeder • Director of The Incredible Snow Woman

Interview: Sébastien Betbeder • Director of The Incredible Snow Woman

"Comedy is the best angle for tackling serious subjects"

BERLINALE 2025: The French filmmaker reveals the ingredients for his very own personal recipe for a “dramedy” travelling from the French Jura to Greenland  

18/02 | Berlinale 2025 | Panorama

LIM lifts the veil on its 2025 project selection

LIM lifts the veil on its 2025 project selection

A selection of 16 projects will embark on the mentorship initiative that champions new voices committed to harnessing the profound impact of storytelling  

18/02 | LIM 2025

Review: The Incredible Snow Woman

Review: The Incredible Snow Woman

BERLINALE 2025: Sébastien Betbeder delivers a self-assured tragicomedy, travelling from France's Jura to Greenland in the wake of a dead woman living on borrowed time but full of life and excesses  

18/02 | Berlinale 2025 | Panorama

Review: Confidante

Review: Confidante

BERLINALE 2025: Çağla Zencirci and Guillaume Giovanetti deliver a punchy and audacious huis clos about the condition of women in Turkey  

17/02 | Berlinale 2025 | Panorama

Review: Tales from the Magic Garden

Review: Tales from the Magic Garden

BERLINALE 2025: This stop-motion anthology by David Súkup, Patrik Pašš, Leon Vidmar and Jean-Claude Rozec addresses the topic of death, but makes it unexpectedly lively, engaging and educational  

17/02 | Berlinale 2025 | Generation

Review: All I Had Was Nothingness

Review: All I Had Was Nothingness

BERLINALE 2025: Between investigative film and exceptional transmission of memory, Guillaume Ribot signs a captivating making-of documentary about Claude Lanzmann’s major work  

17/02 | Berlinale 2025 | Berlinale Special

Review: Maya, Give Me a Title

Review: Maya, Give Me a Title

BERLINALE 2025: Michel Gondry plays with his daughter Maya, and the whole world is invited  

17/02 | Berlinale 2025 | Generation

Review: Reflection in a Dead Diamond

Review: Reflection in a Dead Diamond

BERLINALE 2025: Hélène Cattet and Bruno Forzani present a baroque spy film with some crazy twists and turns, which is both fun and exhausting  

17/02 | Berlinale 2025 | Competition

Review: The Ice Tower

Review: The Ice Tower

BERLINALE 2025: Lucile Hadžihalilović offers up a sensual yet peculiar rendition of The Snow Queen, a blend of modern fairy tale and coming-of-age story  

17/02 | Berlinale 2025 | Competition

Valentine Cadic • Director of That Summer in Paris

Interview: Valentine Cadic • Director of That Summer in Paris

“When you are alone, you are vulnerable, but you are open to the people around you”

BERLINALE 2025: The French director delves into the intricacies of how she made her debut feature during the Paris Olympics  

16/02 | Berlinale 2025 | Perspectives

(The article continues below - Commercial information)

Privacy Policy