email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

Belgium

(The article continues below - Commercial information)
insularia_Josué

3529 articles available in total starting from 10/06/2002. Last article published on 18/09/2026.

Agnès Jaoui • Director of Crescendo

Interview: Agnès Jaoui • Director of Crescendo

“I wanted to create a dialogue between these worlds, which in real life sometimes struggle to communicate at all”

CANNES 2026: The director and actor looks back on her first film written without Jean-Pierre Bacri, in which she imagines an opera production disrupted by an allegation of sexual assault  

27/05 | Cannes 2026 | Out of Competition

Review: Mata

Review: Mata

With her third feature film, Rachel Lang shifts her arthouse cinema towards the spy thriller genre, exploring the inner workings and shadowy corners of the intelligence world  

26/05 | Films | Reviews | France/Belgium

Goodfellas wins the sales race at Cannes

Goodfellas wins the sales race at Cannes

CANNES 2026: With the Palme d’Or and the Best Director Award, the French company leads the way in terms of quality, but The Match Factory comes out on top in terms of quantity with three awards  

26/05 | Cannes 2026 | Marché du Film

Louis Clichy • Director of Iron Boy

Interview: Louis Clichy • Director of Iron Boy

"At the age of forty, I realised that with 3D, I’d lost something along the way"

CANNES 2026: The French filmmaker discusses his autobiographical inspirations and the aesthetic choices that shaped his animated film  

26/05 | Cannes 2026 | Un Certain Regard

Marco Nguyen, Simon Balteaux • Co-director and co-writer of Jim Queen

Interview: Marco Nguyen, Simon Balteaux • Co-director and co-writer of Jim Queen

“The simple act of using humor on these topics today is, in itself, an act of activism”

CANNES 2026: Two of the people behind the adult-oriented animated film spoke to us about the origins of the project and the deeper meanings behind its story  

26/05 | Cannes 2026 | Midnight Screenings

Review: Crescendo

Review: Crescendo

CANNES 2026: Agnès Jaoui immerses the preparations for an opera in the turmoil of the questions that have been sweeping through society since the #MeToo movement  

23/05 | Cannes 2026 | Out of Competition

Review: The Birthday Party

Review: The Birthday Party

CANNES 2026: Léa Mysius directs a sharp, tense and stripped back thriller telling a dark, modern tale about family and the return of the murky past in a nigh-on huis clos context  

22/05 | Cannes 2026 | Competition

Léa Mysius • Director of The Birthday Party

Interview: Léa Mysius • Director of The Birthday Party

"We never really know the people we live with"

CANNES 2026: The filmmaker shares the genesis of her adaptation of Laurent Mauvignier’s novel and explains her approach towards fear and violence which blends drama and thriller codes  

22/05 | Cannes 2026 | Competition

Rakan Mayasi • Director of Yesterday the Eye Didn’t Sleep

Interview: Rakan Mayasi • Director of Yesterday the Eye Didn’t Sleep

“I didn’t want my actors to act; I wanted them to simply be themselves”

CANNES 2026: The director talks to us about his film, which draws on the documentary-style realism of its characters, about two sisters fighting against their fate in Lebanon  

22/05 | Cannes 2026 | Un Certain Regard

Géraldine Nakache • Director of Think Good

Interview: Géraldine Nakache • Director of Think Good

"The idea of living with someone is to feel freer and live better, not to make you think differently"

CANNES 2026: The French director talks about her new work, which marks a shift from the warmth and humour of her earlier films into the territory of hidden domestic violence  

22/05 | Cannes 2026 | Cannes Première

(The article continues below - Commercial information)

Privacy Policy