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Berlinale 2018

150 articles available in total starting from 22/08/2017. Last article published on 06/03/2018.

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Review: Cléo & Paul

Review: Cléo & Paul

BERLIN 2018: The sophomore feature by France’s Stéphane Demoustier is a striking, claustrophobic odyssey through the streets of Paris, seen through the eyes of a lost child  

20/02/2018 | Berlinale 2018 | Generation

Review: The Son

Review: The Son

BERLIN 2018: Alexander Abaturov’s documentary intimately immerses itself in the training of Spetsnaz recruits – the Russian special military forces  

20/02/2018 | Berlinale 2018 | Forum

Review: A Paris Education

Review: A Paris Education

BERLIN 2018: Jean-Paul Civeyrac offers a splendid piece of fiction, full of scope, charm and mastery, with some excellent performances from young actors  

20/02/2018 | Berlinale 2018 | Panorama

The Berlinale Co-Production Market hands out three awards

The Berlinale Co-Production Market hands out three awards

BERLIN 2018: Israeli writer-director Hagar Ben-Asher received the prestigious Eurimages and ARTE accolades for her sophomore film project  

20/02/2018 | Berlinale 2018 | Market/Awards

Laura Bispuri • Director

Interview: Laura Bispuri • Director

“Cinema is made of women standing in the background”

BERLIN 2018: Cineuropa talks to Italian director Laura Bispuri, who after 2015’s Sworn Virgin returns to Berlin’s main competition with the Sardinia-set Daughter of Mine  

20/02/2018 | Berlinale 2018 | Competition

Review: U – July 22

Review: U – July 22

BERLIN 2018: Erik Poppe once again seizes on a major event in his country’s history, presenting this time a reconstruction of the Utøya tragedy  

20/02/2018 | Berlinale 2018 | Competition

Review: The Real Estate

Review: The Real Estate

BERLIN 2018: Axel Petersén and Måns Månsson stir up feelings of intense social alienation, where narrative and form unite to create an atmosphere of rejection  

20/02/2018 | Berlinale 2018 | Competition

Review: 7 Days in Entebbe

Review: 7 Days in Entebbe

BERLIN 2018: José Padilha and Working Title make a film about Israel’s rescue of hostages in Uganda in 1976, screening out of competition at Berlin  

20/02/2018 | Berlinale 2018 | Out of competition

Review: 3 Days in Quiberon

Review: 3 Days in Quiberon

BERLIN 2018: Emily Atef's fourth film looks back at Romy Schneider's last interview in an attempt to shed light on the relation between the persona and the myth  

20/02/2018 | Berlinale 2018 | Competition

Review: Thirty Souls

Review: Thirty Souls

BERLIN 2018: Diana Toucedo captures reality and legend, presence and absence, and life and death in a double-sided film that is half-fiction, half-documentary  

19/02/2018 | Berlinale 2018 | Panorama

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