Competition (The article continues below - Commercial information) 2431 articles available in total starting from 16/05/2002. Last article published on 03/12/2025. previous page: 1 2 3 ... 5 6 [7] 8 9 ... 242 243 244 next Review: Father Mother Sister BrotherVENICE 2025: Jim Jarmusch’s latest effort brings familial awkwardness to the fore with quiet humour and elegance 31/08 | Venice 2025 | CompetitionReview: The Wizard of the KremlinVENICE 2025: In the style of a thriller, Olivier Assayas directs a gripping epic recounting the hardening of Russian power, from perestroika to Putin's murderous solitary dictatorship 31/08 | Venice 2025 | CompetitionInterview: László Nemes • Director of Orphan“This backstory has haunted my family’s lives ever since it actually happened”VENICE 2025: The Hungarian director found the main story and protagonist for his new film in his own family, but simultaneously drew on his own experiences in the 1980s 31/08 | Venice 2025 | CompetitionReview: No Other ChoiceVENICE 2025: Park Chan-wook blends gruesome comedy and capitalist critique in his adaptation of Donald E Westlake's novel The Ax 31/08 | Venice 2025 | CompetitionReview: Below the CloudsVENICE 2025: With his new documentary dedicated to the Neapolitan territory, Gianfranco Rosi returns to the slopes of Vesuvius, in search of the welding between ancient life and today 30/08 | Venice 2025 | CompetitionInterview: Valérie Donzelli • Director of At Work“This film had to be honest”VENICE 2025: Freedom doesn’t come cheap in the French director’s new feature, but it’s still worth all the trouble 30/08 | Venice 2025 | CompetitionReview: At WorkVENICE 2025: Bastien Bouillon excels in Valérie Donzelli’s surprisingly deep dive into the vocation of writing 29/08 | Venice 2025 | CompetitionReview: BugoniaVENICE 2025: Yorgos Lanthimos remakes Jang Joon-hwan’s Save the Green Planet! and unleashes a wickedly playful, grotesque and unsettlingly timely tale of paranoia and power 29/08 | Venice 2025 | CompetitionReview: OrphanVENICE 2025: László Nemes’ visually rich yet narratively uneven film tells a story of fractured families and a wounded nation 28/08 | Venice 2025 | CompetitionInterview: Renátó Olasz • Director of Stars of Little Importance"My aim was to combine a poetic attitude with the rawness of reality"Shot in stark black and white, the director's debut feature eschews traditional narrative structures in favour of mood, atmosphere and subtle gesture 28/08 | Sarajevo 2025 | Competition previous page: 1 2 3 ... 5 6 [7] 8 9 ... 242 243 244 next (The article continues below - Commercial information)