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Competition / Belgium

127 articles available in total starting from 26/08/2002. Last article published on 24/05/2025.

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Luc and Jean-Pierre Dardenne • Directors of Tori and Lokita

Interview: Luc and Jean-Pierre Dardenne • Directors of Tori and Lokita

“The fate of migrants, of exiles, that we reserve, is the big question our society faces"

CANNES 2022: The Belgian brothers talk to us about their new film that shows the inexorability of the mechanisms of domination that govern human relations  

26/05/2022 | Cannes 2022 | Competition

Review: Tori and Lokita

Review: Tori and Lokita

CANNES 2022: Jean-Pierre and Luc Dardenne return to the fundamentals of their filmmaking with a impressively refined story about two children who were left behind  

25/05/2022 | Cannes 2022 | Competition

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

Lumière Publishing acquires Benelux rights for Lukas Dhont’s Close

CANNES 2022: The film is world-premiering in competition, and Lumière is piloting a new accounting solution with innovative tech company FilmChain  

25/05/2022 | Cannes 2022 | Competition

Review: R.M.N.

Review: R.M.N.

CANNES 2022: Cristian Mungiu crafts a masterful film, delving to the heart of a tiny Transylvanian village that reflects modern-day evils, and decisions taken on an individual and European level  

22/05/2022 | Cannes 2022 | Competition

Review: The Eight Mountains

Review: The Eight Mountains

CANNES 2022: What is friendship? What is nature? Felix Van Groeningen and Charlotte Vandermeersch craft a sweepingly romantic film of great visual scope which touches on the essential  

19/05/2022 | Cannes 2022 | Competition

Review: Leading Lights

Review: Leading Lights

With patience and a sense of poetry, Lydie Wisshaupt-Claudel follows the daily lives of two unusual teachers contending with stressed and traumatised children who are struggling to exist  

20/04/2022 | Visions du Réel 2022 | Competition

Ursula Meier • Director of The Line

Interview: Ursula Meier • Director of The Line

“Usually in cinema, violence is shown through male protagonists, and when there are women, they’re mostly teenagers”

BERLINALE 2022: The French-Swiss director’s tragicomedy deals with the representation of female violence, casting aside the usual stereotypes  

18/02/2022 | Berlinale 2022 | Competition

Review: The Line

Review: The Line

BERLINALE 2022: Ursula Meier subtly explores a tumultuous world of intense and contradictory emotions in a film which dazzles for its female cast, led by acting revelation Stéphanie Blanchoud  

11/02/2022 | Berlinale 2022 | Competition

Review: Peter von Kant

Review: Peter von Kant

BERLINALE 2022: In his occasionally amusing, occasionally absurd tribute to Fassbinder, François Ozon wants to have his champagne and drink it  

11/02/2022 | Berlinale 2022 | Competition

Review: Nr. 10

Review: Nr. 10

Dutch director Alex van Warmerdam returns with a characteristically disturbing and unclassifiable film  

30/11/2021 | Black Nights 2021 | Competition

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