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Toronto 2022


81 articles available in total starting from 21/01/2022. Last article published on 21/09/2022.

Review: Godland

Review: Godland

CANNES 2022: Hlynur Pálmason makes a spectacular, visceral and epic film in the wake of a young Danish priest who faces thousands of challenges in the wild Iceland of the 19th century  

24/05/2022 | Cannes 2022 | Un Certain Regard

Review: La Jauría

Review: La Jauría

CANNES 2022: Andrés Ramírez Pulido’s atmospheric debut feature trawls the murky depths of young delinquents’ criminal past as they undergo therapy in the isolation of the jungle  

24/05/2022 | Cannes 2022 | Critics’ Week

Review: Under the Fig Trees

Review: Under the Fig Trees

CANNES 2022: Erige Sehiri’s new feature has hints of Éric Rohmer as it shows Tunisian women working and flirting on an orchard  

23/05/2022 | Cannes 2022 | Directors’ Fortnight

Review: Return to Seoul

Review: Return to Seoul

CANNES 2022: Davy Chou confirms his talent with a highly effective second fiction feature about a turbulent and touching initiatory journey tracing back an adoption  

23/05/2022 | Cannes 2022 | Un Certain Regard

Review: Falcon Lake

Review: Falcon Lake

CANNES 2022: Charlotte Le Bon’s directorial debut is certainly not the coming-of-age film one might expect to watch  

22/05/2022 | Cannes 2022 | Directors’ Fortnight

Davy Chou • Director of Return to Seoul

Interview: Davy Chou • Director of Return to Seoul

“I take great pleasure in helping filmmakers accomplish their vision, when I really admire their talent”

CANNES 2022: We met up with the French-Cambodian director, who has crafted an impressive and intimate feature around the topics of adoption and identity  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: Holy Spider

Review: Holy Spider

CANNES 2022: Ali Abbasi, the crazed Iranian-born genius behind the Un Certain Regard winner Border, delivers another masterful work, this time in the main competition  

22/05/2022 | Cannes 2022 | Competition

Review: The Worst Ones

Review: The Worst Ones

CANNES 2022: A very successful first feature for Lise Akoka and Romane Gueret who, with great heart, truth and skill, bring inner-city kids through the looking glass  

22/05/2022 | Cannes 2022 | Un Certain Regard

Review: Triangle of Sadness

Review: Triangle of Sadness

CANNES 2022: Östlund helms a diabolically mischievous “Rubensonade” among the rich and the filthy  

22/05/2022 | Cannes 2022 | Competition

Review: R.M.N.

Review: R.M.N.

CANNES 2022: Cristian Mungiu crafts a masterful film, delving to the heart of a tiny Transylvanian village that reflects modern-day evils, and decisions taken on an individual and European level  

22/05/2022 | Cannes 2022 | Competition

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