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Orizzonti

237 articles available in total starting from 03/09/2005. Last article published on 22/07/2025.

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Mihai Mincan • Director of To the North

Interview: Mihai Mincan • Director of To the North

“I wanted to make a film about the fear one feels when one’s life is under another’s power”

VENICE 2022: The Romanian director spills the beans on his morally challenging first fiction feature, focusing on a stowaway who’s discovered on board a container ship sailing to America  

06/09/2022 | Venice 2022 | Orizzonti

Rachid Hami • Director of For My Country

Interview: Rachid Hami • Director of For My Country

"It’s not a case of the army against a family of suburban Arabs"

VENICE 2022: The director sheds light on his second feature, a fiction film inspired by the accidental death of his own brother while training to be an officer in the French army  

05/09/2022 | Venice 2022 | Orizzonti

Review: To the North

Review: To the North

VENICE 2022: Mihai Mincan’s fiction debut explores the terrible consequences of kindness  

05/09/2022 | Venice 2022 | Orizzonti

Review: Blanquita

Review: Blanquita

VENICE 2022: It’s a dark, dark world in Fernando Guzzoni’s well-executed title. And it feels worryingly familiar  

05/09/2022 | Venice 2022 | Orizzonti

Review: Burning Hearts

Review: Burning Hearts

VENICE 2022: Pippo Mezzapesa’s movie starring pop singer Elodie is a mechanical black and white revenge western set in Apulia  

04/09/2022 | Venice 2022 | Orizzonti

Tizza Covi, Rainer Frimmel • Directors of Vera

Interview: Tizza Covi, Rainer Frimmel • Directors of Vera

“There is a contradiction that we always look for in our protagonists”

VENICE 2022: With their new movie, the Austrian-Italian duo of filmmakers have created a semi-autobiographical vehicle for Italian actress Vera Gemma  

04/09/2022 | Venice 2022 | Orizzonti

Review: Autobiography

Review: Autobiography

VENICE 2022: Echoes of Indonesia’s 31-year dictatorship abound in the present, in debutant Makbul Mubarak’s sombre political drama  

04/09/2022 | Venice 2022 | Orizzonti

Review: The Happiest Man in the World

Review: The Happiest Man in the World

VENICE 2022: Thirty years on, the war in Bosnia still festers under the surface, its wounds ready to erupt at any point, as Teona Strugar Mitevska’s feature demonstrates  

04/09/2022 | Venice 2022 | Orizzonti

Review: For My Country

Review: For My Country

VENICE 2022: Rachid Hami signs a work at once expansive and sensitive on the place of each individual and the recognition of others in a family microcosm and in the macrocosm of France  

02/09/2022 | Venice 2022 | Orizzonti

Review: The Sitting Duck

Review: The Sitting Duck

VENICE 2022: A whistleblower or a malingerer? Jean-Paul Salomé’s captivating thriller looks back on the real-life misadventures of a trade unionist played by the great Isabelle Huppert  

02/09/2022 | Venice 2022 | Orizzonti

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