France / Italy (The article continues below - Commercial information) 581 articles available in total starting from 06/03/2003. Last article published on 22/01/2026. previous page: 1 2 3 ... 7 8 [9] 10 11 ... 57 58 59 next Interview: Fabio Grassadonia and Antonio Piazza • Directors of Sicilian Letters“This is a dark comedy about the narcissism and the vanity of a real fugitive boss”VENICE 2024: We talked with the duo of Italian directors about the creation of their singular grotesque comedy 07/09/2024 | Venice 2024 | CompetitionReview: The Time It TakesVENICE 2024: Francesca Comencini tells the story of her special relationship with her father Luigi, master of Italian cinema, at the most difficult moment of her life 06/09/2024 | Venice 2024 | Out of CompetitionInterview: Dea Kulumbegashvili • Director of April“Suffering is living”VENICE 2024: After a long winter, spring always comes in the end, but in the Georgian director’s film, this particular April is cold and dark 06/09/2024 | Venice 2024 | CompetitionReview: Sicilian LettersVENICE 2024: Fabio Grassadonia and Antonio Piazza continue their reflection on the Mafia culture in Sicily, with Elio Germano in the shoes of a boss in hiding and Toni Servillo as a corrupt politician 05/09/2024 | Venice 2024 | CompetitionReview: AprilVENICE 2024: Georgian writer-director Dea Kulumbegashvili’s long-awaited sophomore feature is a mesmerising Golden Lion contender, thanks to its assured vision, singularity and depth 05/09/2024 | Venice 2024 | CompetitionInterview: Scandar Copti • Director of Happy Holidays“I’m a big believer in the process of liberation, and I truly believe that nobody’s free until everybody’s free”VENICE 2024: The Palestinian director breaks down his methods of writing and shooting as well as interrogating concepts like morality and the normalisation of oppression 05/09/2024 | Venice 2024 | OrizzontiInterview: Maura Delpero • Director of Vermiglio“My protagonist becomes a free woman out of necessity”VENICE 2024: The Italian director chatted with us about motherhood, documentaries, fiction and the female outlook, and about Ermanno Olmi 04/09/2024 | Venice 2024 | CompetitionReview: Happy HolidaysVENICE 2024: Palestinian filmmaker Scandar Copti makes effective use of an ensemble cast in this portrait of contemporary family life in Israel, replete with its many intricacies 04/09/2024 | Venice 2024 | OrizzontiReview: VermiglioVENICE 2024: Maura Delpero gets back to exploring motherhood in a film set at the end of the Second World War, which is visually and mentally stimulating 03/09/2024 | Venice 2024 | CompetitionInterview: Amos Gitai • Director of Why War“I would like to embrace the idea of the filmmaker or the artist as a healer”VENICE 2024: The Israeli director offers a kaleidoscopic film essay on war, fuelled by a historic exchange of letters between Albert Einstein and Sigmund Freud 31/08/2024 | Venice 2024 | Out of Competition previous page: 1 2 3 ... 7 8 [9] 10 11 ... 57 58 59 next (The article continues below - Commercial information)