Docaviv desvela su programa al completo
por Vladan Petković
- La 21a edición del mayor festival del documental de Israel presentará 130 películas repartidas en ocho secciones y pondrá el foco sobre el importante diálogo entre humano y naturaleza
Este artículo está disponible en inglés.
The 21st edition of Docaviv, Tel Aviv’s international documentary film festival, which runs from 23 May–1 June, has announced its full programme, consisting of 130 films across eight sections. In addition to the Israeli Competition, which was announced earlier this month (see the news), the festival features two main competitive, feature-length film strands: the International Competition and Depth of Field.
The International Competition consists of 11 titles, eight of which are European (co-)productions: Mint Film Office's IDFA prizewinner 'Now something is slowly changing’ [+lee también:
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ficha de la película] (Croatia), Hassan Fazili's Sundance and Visions du Réel hit Midnight Traveler [+lee también:
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ficha de la película] (USA/Qatar/UK/Canada), Bettina Perut and Iván Osnovikoff's IDFA-awarded Los Reyes [+lee también:
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ficha de la película] (Chile/Germany), Kim Longinotto's Sundance and Berlinale title Shooting the Mafia [+lee también:
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ficha de la película] (Ireland/USA), Anna Eborn's Göteborg and Rotterdam prizewinner Transnistra [+lee también:
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entrevista: Ljubomir Stefanov, Tamara …
entrevista: Tamara Kotevska, Ljubomir …
ficha de la película] (Macedonia), and Beniamino Barrese's Sundance and CPH:DOX entry The Disappearance of My Mother [+lee también:
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ficha de la película] (Italy/USA). Two US films, 17 Blocks by Davy Rothbart and Mike Wallace Is Here by Avi Belkin, plus the Canadian production Dark Suns by Julien Elie, round off the selection. For more information, please click here.
The Depth of Field Competition consists of nine films that push the envelope of the genre, redefining the word “documentary”. Seven of them are European (co-)productions, including Guy-Marc Hinant's Charleroi, the Land of 60 Mountains (Belgium), Victor Moreno's The Hidden City [+lee también:
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entrevista: Víctor Moreno
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ficha de la película] (Spain/Argentina/Portugal/Panama). For the full list, please click here.
Docaviv’s artistic director, Karin Rywkind Segal, comments: “This year’s programme delves into the heated, riveting dialogue between man and nature through thrilling, multi-faceted, soul-touching cinema. The carefully curated programme reflects the big picture as well as the smaller details of our world, examining the sins of the past and a disturbing present, but never neglecting to show humanity and beauty.”
Sidebar sections include Panorama, with films such as Aquarela [+lee también:
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entrevista: Victor Kossakovsky
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entrevista: Nikolaus Geyrhalter
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entrevista: Mads Brügger
entrevista: Mads Brügger
ficha de la película]; and Masters, with the latest films by Jean Gabriel Périot, Tsai Ming Liang, Vitaly Mansky and Werner Herzog, while great Japanese helmer Kazuo Hara will enjoy a retrospective. More appealing documentaries can be found in the Arts&Culture and Music sections (including Architecture of Infinity [+lee también:
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ficha de la película], Up the Mountain, The Ghost of Peter Sellers [+lee también:
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entrevista: Paul Iacovou
ficha de la película], Mystify: Michael Hutchence and Suede: The Insatiable Ones). To consult the full programme, please click here.
Finally, Docaviv's industry section will feature the DOC LAB TLV, a rough-cut workshop, as well as a seminar entitled International Marketing and Distribution: From PR to the Oscars, and the new WebiDocs segment, spotlighting the emerging field of web documentaries.
“Docaviv draws in tens of thousands of attendees annually, providing them with the richest, most up-to-date programme in the international documentary field,” says Docaviv’s festival director, Galia Bador. “Last year’s edition attracted 60,000 visitors, and a total of 120,000 filmgoers attended Docaviv screenings during 2018. These numbers reflect people’s need and desire for free and daring art, the kind that showcases diverse and thought-provoking voices and perspectives.”
(Traducción del inglés)
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