Las películas del futuro están en TorinoFilmLab
por Vittoria Scarpa
- Más de 300 profesionales se han reunido este año en el TFL Meeting Event, cuya 12a edición ha tenido lugar del 21 al 23 de noviembre en la capital piamontesa
Este artículo está disponible en inglés.
2019 has proved a significant year for the TorinoFilmLab. Now at its 12th edition, the Turin-based laboratory, which supports talent from all over the world with the development, production and distribution of their films (first and second works in particular), has exceeded the threshold of 100 feature films completed since its 2008 inception (the current tally is 107); works directed by filmmakers hailing from 49 different countries and wielding numerous trophies from international festivals. At the Locarno Film Festival alone, no less than 7 works bearing the TFL hallmark walked away with awards.
But 2019 also brought change to the Turin lab. “It’s been a special year”, TFL Managing Director Mercedes Fernández Alonso confirmed to us at the Meeting Event, which unfolded in Turin between 21-23 November. “We’ve expanded the organisation and created a Pedagogical Team composed of high-level professionals from various regions around the world (Argentina, Croatia, Sweden, Israel…), each of them boasting diverse professional backgrounds, which has hugely enriched the design of the workshops, the process of scouting for participants, the way in which the projects are developed... The outcome has been positive: the selected projects demonstrate great variety, both geographically and thematically”.
“A federalist and supportive structure”: these are the words of Vincenzo Bugno, the man in charge of the Berlinale’s World Cinema Fund who’s now also a full-fledged member of the TFL team. “We’ve all known each other for years and we enjoy a real relationship of respect and trust. We’re looking to work on cultural diversity at various levels, with a focus on non-European cultures and the diversification of gender roles in the various works produced”, he explained to us.
Among the various works, we find stories of young, modern shamans (Ze by Lkhagvadulam Purev-ochir), of Sapphic love forbidden by the Communist regime (Only Lola by Grzegorz Mołda), of middle-aged women wrestling with new work duties (The Permanent Picture by Laura Ferrés Moreno); but also stories involving visionary and quixotic scientists who dream of saving human kind, such as in Harry Lagoussis’ Novak; stories of two fraudulent entrepreneurs who are enjoying their last 24 hours of freedom before their arrest, such as in Dust, scripted by Angelo Tijssens (who also co-wrote Girl [+lee también:
entrevista: Lukas Dhont
ficha del filme] by Lukas Dhont); not to mention Madame by Dominik Locher (Goliath [+lee también:
entrevista: Dominik Locher
ficha del filme]), where a housekeeper harassed by her elderly employer start to mix poisonous herbs into the lady’s daily omelette, until the latter asks her to administer the final dose in exchange for a handsome reward.
The variety of the projects presented at this year’s TFL Meeting Event is truly remarkable. But is there a definitive guiding line which brings them all together? “There’s a huge, recurrent theme which relates to identity”, Fernández Alonso observes, “they are all professionals whose lives are lived across various countries; there are those born in Thailand, who now live in New York but who are always travelling in Europe for work. Their experiences reflect the transformation of life to what it is today, and a certain mobility which leads to questions on identity, whether geographical or sexual”.
Birchanger Green by Moin Hussain, for example, is “a space movie set on Earth” – to quote the words of the author – where the son of an immigrant, looking into his father’s mysterious past, begins to suspect that he’s an alien. The Quiet Migration by Malene Choi Jensen, meanwhile, examines multicultural families and the consequences of international adoption, while George Sikharulidze’s Panopticon explores the repressed sexual desires of an Orthodox Christian, Georgian teen.
“There’s also a great deal of thought gone into audiovisual language”, Fernández Alonso continues, and, last but not least, “a subtle sense of humour which lends these projects even greater depth”. On that note, Wild Encounters by Sarah Arnold is a black comedy which examines mankind’s animal instinct through the character of a wild boar hunter, and Three Days of Fish by Peter Hoogendoorn, a road movie centred on a son and his elderly father, replete with accusations, insinuations and unconditional love. Finally, there’s The Swedish Torpedo by Frida Kempff, set in 1939, which sees a woman in Sweden defy her family as well as social conventions in order to perform an extraordinary feat: swimming the English Channel.
The projects presented at the 12th TFL Meeting Event were as follows:
Anna Doesn’t Want to Be Seen Dancing - Gabriel Herra Torres (Georgia/Mexico)
Production: Natura Film; co-production: Black Maria Producciones
Birchanger Green - Moin Hussain (UK)
Production: Escape Films
Flores - Ena Sendijarević (Netherlands)
Production: Lemming Film
Madame - Dominik Locher (Switzerland)
Only Lola - Grzegorz Mołda (Poland)
In search of a producer
Painless - Michael Wahrmann (Brazil)
Rhino - Dubravka Turić (Croatia)
Suddenly - Melisa Önel (Turkey)
Production: Vigo Film
Takotsubo - Miki Polonski (Israel/France)
Production: KM Production; co-production: KinoElektron
The Quiet Migration - Malene Choi Jensen (Denmark)
Production: Manna Film
The Songsmith - Bayu Prihantoro Filemon (Indonesia)
Production: KawanKawan Media
The Sweet Bitterness of Ripe Pomegranates - Andrey Volkashin (Northern Macedonia)
Production: Veda Film Productions
Three Days of Fish - Peter Hoogendoorn (Netherlands)
Production: Circe Films
Wild Encounters - Sarah Arnold (France/Switzerland)
Production: 5 à 7 Films; co-production: TWOSA Films
Ze - Lkhagvadulam Purev-ochir (Mongolia)
Production: Guru Media
A Male - Fabián Hernández (Colombia/Netherlands)
Production: Medio de Contención Producciones; co-production: Fortuna Films
Crocodile Tears - Tumpal Tampubolon (Indonesia/France)
Production: Tanakhir Films; co-production: Acrobates Films
Houses - Veronica Nicole Tetelbaum (Israel)
Production: Plan B Productions
Mizeria - Eva Michon (Canada/Poland)
Production: Film Forge; co-production: Opus Film
Pilgrims - Laurynas Bareisa (Lithuania)
Runner - Marian Mathias (Germany/France/US)
Production: Killjoy Films; co-production: Easy Riders, Man Alive
Unrest - Cyril Schäublin (Switzerland)
Production: Seeland Filmproduktion
Victus - Andrei Tanase (Romania)
Production: Domestic Film
(Traducción del italiano)
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