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TRIESTE 2020

El Festival de Trieste anuncia su programa

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- Trieste acogerá del 17 al 23 de enero su certamen dedicado al cine de Europa del Este, en donde Corneliu Porumboiu presentará su excéntrica incursión en el cine negro La Gomera y dará una masterclass

El Festival de Trieste anuncia su programa
La Gomera, de Corneliu Porumboiu

Este artículo está disponible en inglés.

Having reached its milestone thirtieth edition last year, the Trieste Film Festival (17 -23 January) is turning its gaze towards the new decade with a focus on various issues affecting the Old Continent. The event directed by Fabrizio Grosoli and Nicoletta Romeo will open with the Italian premiere of Terrence Malick’s new film, A Hidden Life [+lee también:
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, shot entirely in Europe (and a competitor in the recent Cannes Film Festival), whilst the closing slot falls to Corneliu Porumboiu, a cutting-edge director of “new Romanian cinema”, who will be presenting his eccentric noir The Whistlers [+lee también:
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entrevista: Corneliu Porumboiu
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- which also competed in Cannes - as well as delivering a masterclass open to the general public.

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The International Feature Film Competition will consist of eleven films - all of which Italian premieres - set to be judged by the festival audience. Nationalism and economic migration are two of the main themes. Specifically, Brexit and its impact on the Bulgarian protagonists of Cat in the Wall [+lee también:
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entrevista: Mina Mileva, Vesela Kazakova
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is the focus of Mina Mileva and Vesela Kazakova’s work, whilst Let There Be Light [+lee también:
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entrevista: Marko Škop
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by Marko Škop sees a Slovakian bricklayer returning home from Germany only to discover that his son is involved with a paramilitary group; Oleg [+lee también:
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entrevista: Juris Kursietis
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by Juris Kursietis focuses on a Latvian butcher who finds himself entangled in the Polish crime world in Brussels, while a more intimate window is opened by Ivana the Terrible [+lee también:
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where we see Ivana Mladenović bringing her own weaknesses to the big screen, as well as by the Serbian film Asymmetry [+lee también:
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, Maša Nešković’s first work which explores the transformation over time of a loving relationship. The same can be said of the Bulgarian title The Father [+lee también:
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entrevista: Kristina Grozeva, Petar Va…
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by Kristina Grozeva and Petar Valchanov, where we follow the journey of a father and a son in mourning, and a similarly intimate look is cast at the failing marriage at the heart of Monsters. [+lee también:
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entrevista: Marius Olteanu
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by Romania’s Marius Olteanu; at the clandestine love recounted in Once in Trubchevsk [+lee también:
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by Larisa Sadilova, and; at the pain felt by an entire village over the disappearance of Oroslan [+lee también:
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entrevista: Matjaž Ivanišin
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in this work directed by Slovenia’s Matjaž Ivanišin. Last but not least in this category, we find two incredible female portraits: Lillian [+lee también:
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entrevista: Andreas Horvath
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by Austria’s Andreas Horvath, inspired by the true story of Lillian Alling, and Zana [+lee también:
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entrevista: Antoneta Kastrati
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by Antoneta Kastrati, which explores the patriarchal society continually governing women’s lives in Kosovo.

Screening out of competition, meanwhile, are the two detective films Heidi [+lee también:
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entrevista: Cătălin Mitulescu
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by Cătălin Mitulescu, and Rounds [+lee también:
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entrevista: Stephan Komandarev
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by Stephan Komandarev, the comedies Paradise [+lee también:
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by Italy’s Davide Del Degan and The Last Serb in Croatia [+lee también:
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by Predrag Ličina - the Balkans’ very first “zombie comedy” – and two first works: Stories from the Chestnut Woods [+lee también:
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by Gregor Božič and My Thoughts Are Silent [+lee también:
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by Ukrainian director Antonio Lukič.

Special Events include the world premiere of Tadeusz Śliwa’s (Nie)znajomi - a Polish remake of Italian film Perfect Strangers [+lee también:
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– starring Kasia Smutniak, an actress set to receive the Eastern Star Award. Three tributes, meanwhile, are in the offing: Juraj Herz’s masterpiece The Cremator, restored by Prague’s Cinematheque; W.R.: Mysteries of the Organism, one year on from the passing of Dušan Makavejev, and; The Night of the Shooting Stars by Paolo and Vittorio Taviani, in honour of Omero Antonutti who passed away in November.

The International Documentary Competition, for its part, will consist of nine titles: The Euphoria of Being [+lee también:
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by Hungary’s Réka Szabó; Marek Edelman ...and There Was Love in the Ghetto [+lee también:
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by Jolanta Dylewska; Mother and Son by Hilal Baydarov; BATAstories [+lee también:
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by Peter Kerekes; Exemplary Behaviour [+lee también:
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by Audrius Mickevičius and Nerijus Milerius; Heat Singers [+lee también:
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entrevista: Nadia Parfan
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by Nadia Parfan; Immortal [+lee también:
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entrevista: Ksenia Okhapkina
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by Ksenia Okhapkina; Transnistra [+lee también:
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by Anna Eborn and; The Wind. A Documentary Thriller [+lee también:
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entrevista: Michał Bielawski
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by Michał Bielawski. Screening out of competition, meanwhile, are Giuliano Fratini’s The Gift and Giampaolo Penco’s Vittorio Vidali - Io non sono quello che fui.

(El artículo continúa más abajo - Inf. publicitaria)

(Traducción del italiano)

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