email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

CANNES 2020 Semana de la Crítica / Premios

Sphynx se lleva el Premio Next Step de la Semana de la Crítica

por 

- El proyecto de la francesa Camille Degeye, producido por Société Acéphale, se hace con el Premio Next Step entregado por la Semana de la Crítica del Festival de Cannes

Sphynx se lleva el Premio Next Step de la Semana de la Crítica
La directora Camille Degeye (© Aurélie Lamachère/Next Step Semaine de la Critique)

Este artículo está disponible en inglés.

Since 2014, the Critics’ Week sidebar of the Cannes Film Festival (which unveiled its approved selection yesterday – read our article) has been helping talented short film directors make the leap to feature films via its Next Step programme. And since 2019, the graduate workshop (read our news on the latest round of candidates) has also consisted of a competition distinguishing a winner from its ranks. This year saw French project Sphynx by Camille Degeye crowned the winner, by a jury composed of Michèle Halberstadt (ARP Sélection), Mathieu Robinet (formerly of BAC Films and set to make his return with a new company) and Bérénice Vincent (Totem Films).

(El artículo continúa más abajo - Inf. publicitaria)

A self-taught director, Camille Degeye previously gave us the short film Journey Through a Body. In her first feature film project Sphynx, the script of which she wrote in collaboration with journalist Luc Chessel, the filmmaker explores a youth that differs from the norm, disregarding sexual, social and ethnic limitations. The story centres around Eden, a young medicine intern who’s excluded from the neurosurgery service she works for. She subsequently becomes a "medic" in a trendy Paris nightclub, heralding an initiatory journey into the night-time world, a progressive immersion fraught with dark abysses which is swiftly upended by her meeting Nidhal, an enigmatic character on the Parisian drag-queen cabaret scene. A passionate affair ensues between the two, unfurling amidst Parisian nights and new and political friendships in a queer and underground world… Production is entrusted to Lorenzo Bianchi and Anthony Lapia on behalf of Société Acéphale.

Over the course of its six editions, the Next Step workshop has lent support to 55 directors of 29 different nationalities looking to make the leap between short and feature length films. Last year, five films developed within the workshop enjoyed their premieres in Cannes, Venice and Locarno, while Memory House by Brazil’s Joao Paulo Miranda (co-produced by the Parisian firm Maneki Films) has just been awarded the Official Selection label of Cannes 2020 (news). Stand-out works now in post-production include Whether The Weather Is Fine [+lee también:
tráiler
ficha de la película
]
by Filipino director Carlo Francisco Manatad (co-produced by House on Fire) and Rio Doce by Brazil’s Fellipe Fernandes (Kleber Mendonça Filho’s former assistant; co-produced by Le Bureau), while shooting is set to begin on five other films between now and 2021: The Woodcutter Story [+lee también:
crítica
tráiler
entrevista: Mykko Myllylahti
ficha de la película
]
by Finland’s Mikko Myllylahti, the Algerian western The King of Algiers [+lee también:
crítica
tráiler
entrevista: Elias Belkeddar
ficha de la película
]
by Elias Belkeddar (produced by French firm Iconoclast Films), Alma Viva [+lee también:
crítica
tráiler
entrevista: Cristèle Alves Meira
ficha de la película
]
by the French-Portuguese filmmaker Cristele Alves Meira (produced by Fluxus Films and O Som e a Fúria), Anaïs in Love [+lee también:
crítica
tráiler
entrevista: Charline Bourgeois-Tacquet
ficha de la película
]
by France’s Charline Bourgeois-Tacquet (produced by Les Films Pelléas together with Arte France Cinéma and set to star Anaïs Demoustier and Valeria Bruni Tedeschi) and The Settlers [+lee también:
crítica
tráiler
entrevista: Felipe Gálvez
ficha de la película
]
by Felipe Gálvez (uniting the production prowess of Chile’s Don Quijote Films, Argentina’s Rei Cinema, French firm Ciné-Sud Promotion and Denmark’s Snowglobe, with mk2 Films in charge of international sales).

(El artículo continúa más abajo - Inf. publicitaria)

(Traducción del francés)

¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.

Privacy Policy