The end of September saw shooting kick off in Brussels on The Virgin and Child [+lee también:
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ficha de la película], the debut feature film by Belgian director of Kurdish origin Binevsa Berivan. The filmmaker has directed several shorts since graduating from Inraci, including Gardiens, Sidewalk and Phone Story, using the medium to address questions which have marked her personal and artistic trajectory, such as the fate of minorities, especially of women, and the matter of political refugees.

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In La Vierge à l’enfant, which she co-wrote alongside David Lambert (All Yours [+lee también:
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entrevista: David Lambert
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entrevista: David Lambert
ficha de la película]), she gathers these various concerns together to explore the fate of Avesta, a young Kurdish Yezidi who arrives in Brussels after escaping the hell of Daech. At this point, she only has one thing in mind: taking revenge on the man who reduced her to slavery. Between a relentless quest for justice which forces her to relive the suffering she was subjected to and her obligation to be a mother to a child she didn’t want, Avesta tries to make herself heard, at all costs.

Avesta is played by young German actress Hêvîn Tekin, who’s stepping into her first big role and who’s joined by French actress Laëtitia Eïdo, whose career is currently taking off worldwide (she just finished filming Terrence Malick’s The Way of the Wind and we previously enjoyed her in The Accusation [+lee también:
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entrevista: Yvan Attal
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entrevista: Sameh Zoabi
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entrevista: Xavier Giannoli
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The Virgin and Child is produced by Isabel de la Serna on behalf of Playtime Films (Belgium) - who are currently wrapping filming on season 3 of the hit Belgian series Public Enemy - in co-production with Xavier Rombaut on behalf of Polar Bear (Belgium). The movie enjoys support from the Wallonia Brussels Federation Film Centre, screen.brussels, the Vlaams Audiovisueel Fonds, Proximus and Be TV, as well as from the Tax Shelter initiative. Shooting will mainly take place in Brussels, until 31 October.