Today saw the 45th Cinéma du Réel International Documentary Film Festival kick off in Paris, having cancelled its usual pre-opening screening scheduled for the day before (of Alexander Abaturov’s French-Swiss production Paradise [+lee también:
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At the heart of the line-up concocted by Catherine Bizern is a competition with a new format, offering up 41 films (of which 20 feature films), including 27 screening in world premieres, three in international premieres and 11 in French premieres. Stand-out movies on the agenda notably include Bloodhound [+lee también:
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ficha de la película] by Switzerland’s Yamina Zoutat, Slaughterhouses of Modernity by Germany’s Heinz Emigholz, Belgian-French production Adieu Sauvage [+lee también:
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Likewise in the running are the French feature films The Base [+lee también:
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ficha de la película] by Agnès Perrais, Navire Europe by Marina Déak, Up the River with Acid by Canada’s Harald Hutter, Journey to the Lake by Emmanuelle Démoris (a 634-minute, three-part exploration revolving around Lake Bolsena in Italy), Brazza, Chronicle of a Wasteland by Antoine Boutet and I Don’t Know Where You Will Be Tomorrow by Emmanuel Roy. Also worth a mention in the realm of European co-productions is the French-Colombian movie Ana Rosa by Catalina Villar, the French-Nigerian work Coconut Head Generation by Alain Kassanda and the French-Belgian-Chilean title Otro sol by Francisco Rodríguez Teare.

A number of works will enjoy their premieres at the festival, namely Claire Simon’s Our Body [+lee también:
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A tribute is also set to be paid to Jean-Louis Comolli, alongside retrospectives dedicated to Franssou Prenant, Olivier Zabat and Jean-Pierre Gorin, while viewers can also look forward to line-ups such as "The World, Differently", "Popular Front(s)" and “First Window” (for short films).

As regards the 10^th edition of the festival’s professional sidebar ParisDOC, the Work-in-Progress section will revolve around six films in post-production (courtesy of Gianluca Matarrese, Aleksandr Kuznetsov, Pierre Carles, Yana Sad, David Beltrán i Marí and the duo Isabelle Ingold - Vivianne Perelmuter), the round tables unfolding within the Public Forum and Morning Sessions are set to examine the current state of affairs for independent documentary film and its creation, and First Contact will provide producers with an opportunity to discover ten projects in the writing phase, without mentioning the European meetings for heritage documentaries.