Be For Films pone rumbo a la Semana de la Crítica de Cannes
por Aurore Engelen
- La compañía de ventas internacionales de Bruselas, que celebrará su 10° aniversario el año que viene, presenta Le syndrome des amours passées y Le Ravissement
Este artículo está disponible en inglés.
Be For Films, a Brussels-based outfit and subsidiary of Playtime launched in 2014 and directed by Pamela Leu, is this year presenting two films selected for Critics’ Week during the Marché du Film (running 16 - 24 May), an event unfolding within the 76th Cannes Film Festival.
The firm will be reunited with the similarly Brussels-based duo Ann Sirot and Raphaël Balboni, whose first feature film Madly in Life [+lee también:
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entrevista: Raphaël Balboni y Ann Sirot
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entrevista: Ann Sirot & Raphael Balboni
ficha de la película] sees the directors returning to their gentle fantasy leanings with this intrepid romantic comedy questioning our attitudes towards coupledom and family, and shaking up heteronormative codes. The story revolves around Remy and Sandra who can’t have children because they’re suffering from “Past Lovers Syndrome” [the film’s original French title]. There’s only one way to cure it: they must sleep with all of their exes one more time. The cast stars the unmistakeable Belgian actress Lucie Debay (who graced the directors’ previous opus and who’s also one of the heroines in Omen [+lee también:
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entrevista: Baloji
ficha de la película], due to be presented in the Un Certain Regard section) and Lazare Gousseau (discovered in Baden Baden [+lee también:
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ficha de la película] and recently seen in Let’s Get Lost [+lee también:
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entrevista: François Pirot
ficha de la película]), alongside Florence Loiret-Caille and Nora Hamzawi. The duo are once again joining forces with producer Julie Esparbes of Hélicotronc, who’ll be taking part in this year’s Producers on the Move and who’s returning to Critics’ Week after presenting Love According to Dalva [+lee también:
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entrevista: Emmanuelle Nicot
entrevista: Emmanuelle Nicot, Julie Es…
ficha de la película] at the gathering last year. (Ex)perience of Love is co-produced in France by Delphine Schmidt and Guillaume Dreyfuss on behalf of Tripode Productions. It will be distributed in France by KMBO and in Belgium by Imagine. The film is expected to be released in the autumn.
Be For Films’ other selected movie is Le Ravissement [+lee también:
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entrevista: Iris Kaltenbäck
ficha de la película] by Iris Kaltenbäck. It’s carried by the brilliant Hafsia Herzi (an actress in but also the director of Good Mother [+lee también:
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entrevista: Hafsia Herzi
ficha de la película], presented in the Un Certain Regard section two years ago), who plays Lydia, a midwife who’s incredibly invested in her job but also in the throes of a romantic break-up. Her best friend Salomé announces that she’s pregnant and asks her to monitor her pregnancy. One day, Lydia crosses paths with Milos, a former one-night-stand, while she’s holding her friend’s baby in her arms. This encounter will see her sinking ever more deeply into a lie which jeopardises everything… Produced by Alice Bloch on behalf of Mact Productions (France) and by Thierry de Clermont-Tonnerre for Mariane Productions (France), the movie will be distributed in France by Diaphana.
The Marché du Film will likewise see the sales agent organising screenings of Thierry Binisti’s French-Belgian co-production The Channel [+lee también:
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ficha de la película], discovered in Angoulême, as well as touting Habib, la grande aventure [+lee también:
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entrevista: Benoît Mariage
ficha de la película] by Belgium’s Benoît Mariage, which has just been released in France, and Guy Edoin’s Canadian movie Frontières.
Last but not least, Be For Films are set to unveil new images from Julien Carpentier’s La vie de ma mère [+lee también:
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entrevista: Xavier Seron
ficha de la película] by Xavier Seron (who turned heads with his first feature Death By Death [+lee también:
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entrevista: Xavier Seron
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(Traducción del francés)
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