For the first time in its existence, French international sales agent The Party Film Sales (directed by Sarah Chazelle and Etienne Ollagnier) can boast a Palme d’Or contender within its line-up, which should bode well for sales at the Marché du Film, running 16 – 24 May within the 76th Cannes Film Festival.

The team steered by Samuel Blanc will be negotiating on behalf of Kaouther Ben Hania’s afore-mentioned Four Daughters [+lee también:
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entrevista: Kaouther Ben Hania
ficha de la película], which is world premiering in competition. The director’s 5th feature film sees her acceding to this level for the very first time, at the end of an ascent which started off on the Croisette within the 2014 ACID line-up by way of Challat of Tunis [+lee también:
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ficha de la película], and which continued out of competition in Locarno in 2016 with the documentary Zaineb Hates the Snow [+lee también:
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ficha de la película], within Cannes’ Un Certain Regard section in 2017 via Beauty and the Dogs [+lee también:
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Four Daughters is the result of a markedly unique approach. Its documentarian heart beats for Olfa Hamrouni, a Tunisian mother to four daughters whose life oscillates between shadow and light. One day, her two eldest daughters disappear. Kaouther Ben Hania turns to professional actresses to fill their absence and adopts an unusual film approach to lift the veil on this family of five. It’s an intimate journey full of hope, rebellion, violence, transmission and sorority which questions the very foundations of our societies… Professional actors in the cast include Nour Karoui, Ichraq Matar, Majd Mastoura and Hend Sabri. Production comes courtesy of France’s Tanit Films, Tunisia’s Cinétéléfilms, Germany’s Twenty Twenty Vision, and Red Sea (Saudi Arabia) together with Arte and ZDF.

The Party Film Sales will also be pinning their hopes on another title in the Cannes showcase, selected for the Directors’ Fortnight: Mambar Pierrette by Cameroon director Rosine Mbakam. A fiction film based mostly on documentary-style material, the story revolves around Pierrette, a seamstress in Douala, who’s raising her children alone while looking after her mother. She’s used to living hand-to-mouth but she still has to negotiate the odd pickpocket, not to mention the flooding of her house and workshop. Pierrette continues, as ever, to stitch pieces of cloth, holding together the film and the fabric of her life, while her clients offload their problems onto her… The movie marks a first foray into fiction for the director behind Delphine’s Prayers and is produced by Belgium’s Tândor Productions.

Presales on the Israeli-French film in post-production The Milky Way [+lee también:
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ficha de la película], by Israel’s Maya Kenig (discovered at the 2012 Berlinale via Off-White Lies [+lee también:
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ficha de la película]) are also kicking off. The story revolves around 33-year-old offbeat Israeli musician Tala who has just had her first child. Eager to make a living and to meet the needs of her baby in the absence of its father, she accepts a job at the "Milky Way". This human-milk dairy sells the very best of what new mums have to offer: high-protein vegan milk packed full of essential, premium quality nutrients… This dystopic black comedy is produced by Green Productions and Les Films du Poisson.

Also worth a mention, among other news, is the market premiere on the agenda for the documentary We Have a Dream [+lee también:
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ficha de la película] by French director Pascal Plisson (On the Way to School [+lee también:
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ficha de la película]), who went out and about (in France, Kenya, Nepal, Brazil and Rwanda) to talk to disabled children, the ever-mysterious Morrison by Thailand’s Phuttiphong Aroonpheng, which is currently in post-production, and Berlin-award-winner Orlando, My Political Biography [+lee también:
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ficha de la película] by Spanish director Paul B. Preciado, on which The Party Film Sales are due to wrap sales.