email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

PRODUCCIÓN / FINANCIACIÓN República Checa / Eslovaquia

Jiří Mádl revive la invasión del Pacto de Varsovia en Waves

por 

- El director checo ha concluido el rodaje de una cinta que entremezcla imágenes de archivo y nuevas, y en la que se incluyen escenas auténticas inéditas de agosto de 1968

Jiří Mádl revive la invasión del Pacto de Varsovia en Waves
El rodaje de Waves (© Dawson Films)

Este artículo está disponible en inglés.

Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves [+lee también:
crítica
tráiler
entrevista: Jiří Mádl
ficha de la película
]
, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.

(El artículo continúa más abajo - Inf. publicitaria)

The inspiration for Mádl's filmmaking approach was the Academy Award-winning film Argo, lauded for its dynamic narrative and visual execution. Additionally, the journalistic community and the sense of presence within the newsroom depicted in Good Night, and Good Luck also informed the overall ambience of Waves. In terms of production design and costumes, Mádl sought to create a similar temporal feel to Argo, with period-appropriate attire, objects and colours. In collaboration with Slovak cinematographer Martin Žiaran (The Auschwitz Report [+lee también:
tráiler
entrevista: Peter Bebjak
ficha de la película
]
), the team aimed to present the era without becoming visually overbearing, an approach seen in films such as Barbara [+lee también:
crítica
tráiler
entrevista: Christian Petzold
ficha de la película
]
and The Lives of Others [+lee también:
crítica
tráiler
entrevista: Florian Henckel von Donner…
entrevista: Ulrich Muehe
ficha de la película
]
.

The director has carried out extensive research into the events of 1967 and 1968, as well as radio broadcasting in general. Numerous meetings with key figures such as Věra Šťovíčková, Jan Petránek, Luboš Dobrovský and Vlado Príkazský, among others, have further shaped the narrative of the film. On the production side, the picture’s Slovakian producer, Wanda Adamík Hrycová of Wandal Production (The Slavs [+lee también:
entrevista: Wanda Adamík Hrycová
ficha de la serie
]
, see the news), applauded the movie's innovative filming technique, which combines archival footage (including some as-yet-unseen authentic footage from August 1968, which will be colourised using artificial intelligence) with new scenes involving actors, which are connected to the archival material.

An array of talents has worked on the script, including renowned Czech writer Miloň Čepelka, British producer and BAFTA winner Jack Sidey, and Slovak director Peter Bebjak. Slovak artists have also joined the creative team, including costume designer Katarína Štrbová Bieliková (Alma & Oskar [+lee también:
crítica
ficha de la película
]
), and the cast consists of Czech and Slovak thesps of the likes of Vojtěch Kotek, Táňa Pauhofová, Marika Šoposká, Stanislav Majer, Igor Bareš, Martin Hofmann and Tomáš Maštalír.

Waves is being produced by Czech outfit Dawson Films, and co-produced by Slovak company Wandal Productions, Czech Radio, Czech Television, Barrandov Studios and Radio and Television Slovakia. The Czech Film Fund and the Slovak Audiovisual Fund have both supported the project. Bontonfilm is handling the theatrical release, slated for autumn 2024.

(El artículo continúa más abajo - Inf. publicitaria)

(Traducción del inglés)

¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.

Privacy Policy