Unspooling 19 to 27 January, the 35th edition of the Trieste Film Festival is set to open with Do Not Expect Too Much from the End of the World [+lee también:
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entrevista: Radu Jude
ficha de la película] by Romania’s Radu Jude, a film confirming the talent of this highly original director who walked away with the Special Jury Prize at the most recent Locarno Film Festival. The Italian event dedicated to movies from Central and Eastern Europe and directed by Nicoletta Romeo will proceed with a second opening film, Green Border [+lee también:
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ficha de la película], by master of European cinema, Polish director Agnieszka Holland, who scooped the Special Jury Prize in Venice. Meanwhile, the festival’s closing film - The Zone of Interest [+lee también:
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ficha de la película] by Jonathan Glazer - bagged the Grand Prize and Fipresci Prize at the most recent Cannes Film Festival.

The feature film competition will offer up 7 titles this year. Georgian director Elene Naveriani is returning with Blackbird Blackbird Blackberry [+lee también:
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entrevista: Elene Naveriani
ficha de la película], and Serbia’s Vladimir Perišić is also making a comeback after a long absence, armed with Lost Country [+lee también:
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entrevista: Vladimir Perišić
ficha de la película]; Croatia’s Andrej Korovljev will present his first work of fiction, Hotel Pula [+lee también:
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ficha de la película], revolving around a group of Croatians and Bosnian refugees cohabiting in Pula in the early ‘90s; the Hungarian director of Romanian origin Katalin Moldovai will also be in on the action with Without Air [+lee también:
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entrevista: Katalin Moldovai
ficha de la película], while Tudor Giurgiu is set to attend with Libertate [+lee también:
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entrevista: Tudor Giurgiu y Cecilia St…
ficha de la película], about the civil uprisings in Sibiu following the death of Ceausescu. Janez Burger, a pioneer of new Slovenian cinema, is likewise competing with a social thriller boasting paranormal overtones entitled Observing [+lee también:
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entrevista: Janez Burger
ficha de la película], while Ukrainian filmmaker Maryna Vroda is set to close the section with her debut film Stepne [+lee también:
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ficha de la película].

Five feature films are set to screen Out of Competition, starting with Cristi Puiu’s new movie MMXX [+lee también:
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entrevista: Cristi Puiu
ficha de la película], followed by Luàna Bajrami’s Phantom Youth [+lee también:
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ficha de la película], Una Gunjak’s Excursion [+lee también:
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entrevista: Una Gunjak
ficha de la película], which scooped a Special Mention in Locarno’s Cineasti del Presente line-up and triumphed in Venice’s Orizzonti section, Gábor Reisz’s Explanation for Everything [+lee también:
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entrevista: Gábor Reisz
ficha de la película], and Stefan Komandarev’s Blaga’s Lessons [+lee también:
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entrevista: Stephan Komandarev
ficha de la película], which bagged a Crystal Globe in Karlovy Vary.

Unfolding alongside the festival’s opening and closing movies are two Special Events, namely screenings of Beautiful Beings [+lee también:
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entrevista: Guðmundur Arnar Guðmundsson
ficha de la película] by Guðmundur Arnar Guðmundsson and The Red Coloured Grey Truck by Srđan Koljević, the latter dating back to 2004.

For its part, Off the Beaten… Screens, a section dedicated to stylistic solutions and innovative narration, will be presenting the debut film Cherry Juice by Bosnia’s Mersiha Husagic, the road movie Arthur & Diana [+lee también:
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entrevista: Sara Summa
ficha de la película] - a German production and second work by Italian-French director Sara Summa -, the medium-length film Cactusman by Hungary’s Olivér Rudolf and Maris B653, a short film by Friuli-born director of photography and video artist Debora Vrizzi.

Ten titles will grace the Documentary Competition, most of which directed by young, talented women directors, including the recent winner of Amsterdam’s IDFA, Armenian filmmaker Shoghakat Vardanyan with her movie 1489 [+lee también:
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entrevista: Shoghakat Vardanyan
ficha de la película]. Well worth a mention amongst the documentaries screening Out of Competition are a selection of titles by directors hailing from the Italian region of Friuli Venezia Giulia, including Al di là dei lupi by Ennio Guerrato, 50 anni di CLU by Erika Rossi, and Il Cinema Volta by Martin Turk. Equally noteworthy on Trieste’s agenda is Smoke Sauna Sisterhood [+lee también:
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entrevista: Anna Hints
ficha de la película] by Estonian director Anna Hints, fresh from her victory at the EFA Awards, at Sundance and at Tallinn’s Black Nights Festival.

The line-up for the Corso Salani Prize will consist of 5 Italian titles yet to be distributed in Italy, ranging from Marco Amenta’s Anna [+lee también:
entrevista: Marco Amenta
ficha de la película] (which featured in last year’s work in progress section This is IT) to Ludovica Fales’ Lala [+lee también:
entrevista: Ludovica Fales
ficha de la película], Andrea Adriatico’s La solitudine è questa, Claudia Brignone’s Tempo d’attesa – which won Best Italian Documentary at the Turin Film Festival - and Samira Guadagnuolo and Tiziano Doria’s L’albume d’oro. The Short Film Competition, meanwhile, will present 16 works split across three programmes.

Last but not least, attendees will get to enjoy the Wild Roses focus section, revolving around women filmmakers from a Central Eastern European country and dedicated, this year, to female authors of German films, as announced by Cineuropa back in December (read our article).