PRODUCCIÓN / FINANCIACIÓN Francia
EXCLUSIVA: Pauline Loquès prepara el rodaje de Nino
por Fabien Lemercier
- Théodore Pellerin, William Lebghil, Salomé Dewaels, Jeanne Balibar protagonizan el primer largometraje de la cineasta, que produce Blue Monday y vende The Party Film Sales

Este artículo está disponible en inglés.
On 7 October, the shoot will get under way for Nino [+lee también:
crítica
tráiler
entrevista: Pauline Loquès
ficha de la película], the feature debut by Pauline Loquès. Having turned heads with her short film La vie de jeune fille (2019), the filmmaker has now assembled a cast including Canada’s Théodore Pellerin (popular in titles such as Never Rarely Sometimes Always [+lee también:
crítica
tráiler
ficha de la película], Continental Drift (South) [+lee también:
crítica
tráiler
entrevista: Lionel Baier
ficha de la película] and the series Becoming Karl Lagerfeld), William Lebghil (nominated for the César and Lumière Awards for Most Promising Actor in 2019 for The Freshmen [+lee también:
crítica
tráiler
ficha de la película], and set to grace French screens in December in Le beau rôle and Joli joli), Belgium’s Salomé Dewaels (nominated for the César Award for Most Promising Actress and the Magritte Award for Best Female Newcomer in 2022 for Lost Illusions [+lee también:
crítica
tráiler
entrevista: Xavier Giannoli
ficha de la película], landing in French theatres next year in Headwind and Une fille sans histoire) and Jeanne Balibar (crowned with the Best Actress Award at San Sebastián in 1998, winner of the César and Lumière Awards for Best Actress in 2018 for Barbara [+lee también:
crítica
tráiler
ficha de la película], nominated three times in the Best Supporting Role category, including in 2022 for Lost Illusions, and set to grace screens from March next year in Lads and The Victoria System).
The story, written by the director herself, depicts three days in the life of Nino – the wanderings of a young man in Paris, as he is torn between his yearning for solitude and his need for other people.
Nino is being produced by Sandra da Fonseca for Blue Monday Productions and is being co-produced by France 2 Cinéma. Having also been pre-purchased by Ciné+, OCS and Disney+, the feature is also being backed by the CNC’s advance on receipts, the Cinémage Sofica and the Île-de-France region, where the six-week shoot will take place until 14 November, with Lucie Baudinaud (Olga [+lee también:
crítica
tráiler
entrevista: Elie Grappe
ficha de la película], Edge of the Blade [+lee también:
crítica
entrevista: Vincent Perez
ficha de la película]) in charge of the cinematography. The editing will be handled by Clémence Diard (Excursion [+lee también:
crítica
entrevista: Una Gunjak
ficha de la película], Niki [+lee también:
crítica
tráiler
ficha de la película], Animale [+lee también:
crítica
entrevista: Emma Benestan
ficha de la película]). The international sales will be overseen by The Party Film Sales and the French distribution by Jour2Fête.
As a reminder, Blue Monday Productions currently has Ari [+lee también:
crítica
tráiler
entrevista: Léonor Serraille
ficha de la película] by Léonor Serraille and Cora by Greece’s Evi Kalogiropoulou (which took part in the Cannes Critics’ Week Next Step programme – see the news – a co-production between Neda Film, Blue Monday and Kidam, being sold by Playtime) in post-production.
(Traducción del francés)
¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.