El mercado de coproducción CineMart del IFFR presenta su selección del 2025
por David Katz
- La plataforma de desarrollo del festival, que tiene lugar del 2 al 5 de febrero, presentará 20 largometrajes y cuatro trabajos inmersivos a representantes internacionales de la industria
Este artículo está disponible en inglés.
International Film Festival Rotterdam (IFFR), running from 30 January-9 February 2025, has announced the line-up for its 42nd CineMart, the co-production market of the IFFR Pro industry strand. Twenty feature-length projects have been selected for the event, taking place from 2-5 February within the festival, together with four immersive projects, many of them coming from directors already established in the international industry. These projects in development will be unveiled to IFFR Pro industry attendees in order to offer them potential co-production and financing opportunities, after which a number of awards will be granted. Twelve projects have also been announced for the festival’s Darkroom works-in-progress strand.
The gathering described its eclectic choices for this year’s line-up as follows: “From stories of war and anti-colonial struggle to bold, queer voices and strong female characters; and from the origins of authoritarian regimes to their dystopian futures, from folk horror to stop-motion animation, romantic musical comedy and Afro-noir mystery – this selection is remarkable in its range of storytelling.”
Standing out amongst the feature projects is Something Strange Happened to Me, Ukrainian director Dmytro Sukholytkyy-Sobchuk’s follow-up to Pamfir [+lee también:
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entrevista: Dmytro Sukholytkyy-Sobchuk
entrevista: Dmytro Sukholytkyy-Sobchuk
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Israeli-born, UK-based filmmaker Daniel Mann cracked the festival’s Tiger Competition with his hybrid essay-documentary Under a Blue Sun [+lee también:
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ficha de la película]; now, he returns to the festival’s auspices with The Uganda Project, investigating a secret 1904 British Empire expedition to the highlands of Uganda which assessed it as a potential national home for the Jewish people.
Pioneering black and queer US filmmaker Cheryl Dunye is developing Black Is Blue, her first major project since her 1996 film The Watermelon Woman was revived for theatrical release and streaming, bringing it a passionate new audience. By the looks of it not an expansion of her 2014 short of the same name, it will depict an AI-infused near-future dystopia, as two trans lovers plot revenge against a DNA-harvesting corporation. Germany and Greece will join the USA as co-production territories.
From the immersive strand, an immediate standout is Lillian Hess’s Strata, coming quick on the heels of her Eurimages-awarded Duchampiana at last year’s IFFR Pro (see the interview), which world-premiered in the Venice Film Festival’s immersive section several months after.
“There is a sense of existential urgency that has driven much of our curation,” said Marten Rabarts, the newly appointed head of IFFR Pro, in a statement accompanying the section’s unveiling. “Through projects that directly tackle the origins of authoritarian regimes to AI-infused dystopian futures, as well as those that speak out against colonialism and oppression, I’m heartened to see the range of storytelling and talent on display. They include world-renowned names as well as the incredible number of IFFR, Rotterdam Lab and Hubert Bals Fund alumni continuing their filmmaking journeys.”
The full list of projects is below:
100 Thousand Turkish Liras - Nazlı Elif Durlu (Turkey/Germany)
Producers: istos film, Achtung Panda!
Adiós, amor - Zaida Carmona (Spain)
Producers: DEBUT Films, Canada
Black Is Blue - Cheryl Dunye (USA/Germany/Greece)
Producers: Black Is Blue LLC, Jingletown Films, Jürgen Brüning Filmproduktion, Sima Films, Pinch Me Films, Chrysallis Productions
Cape of Pleasures - Marcelo Gomes, Cao Guimarães (Brazil/Uruguay)
Producers: Cinco em Ponto, Misti Filmes, Criatura Cine
Corte Culebra - Ana Elena Tejera (France/Panama)
Producers: Mestizo Cinema, Fulgurance
Enkop (The Soil) - Angela Wanjiku Wamai (Kenya/Netherlands)
Producers: LBx Africa, PRPL
Eziko - Babalwa Baartman, Jenna Cato Bass (South Africa)
Producers: Sanusi Films, Miss K Productions
Faust - Jazmín López (Germany/Argentina)
Producer: Schuldenberg Films
Four Seasons in Java - Kamila Andini (Indonesia/Singapore)
Producers: Forka Films, Giraffe Pictures
How Melissa Blew a Fuse - Una Gunjak (Bosnia and Herzegovina/Croatia/Serbia)
Producers: SCCA/pro.ba, Nukleus Film, Film House Bas Celik
Inbetween Worlds - Diana Cam Van Nguyen (Czech Republic/Slovakia)
Producers: 13ka, nutprodukcia
Marseille - Yim Brakel (Netherlands)
Producer: Labyrint Film
Meat - Rioghnach Ni Ghrioghair (Ireland)
Producer: Fantastic Films
Sentinel - Carl Joseph E Papa (Philippines)
Producer: Project 8 Projects
Something Strange Happened to Me - Dmytro Sukholytkyy-Sobchuk (Ukraine)
Producer: Mellivora Production
The March of the Sunflowers - Erik Ricco (Brazil)
Producers: Cup Filmes, Coala Filmes, Tubz Studio
The Price of Gold - Eugen Jebeleanu (Romania)
Producer: microFILM
The Uganda Project - Daniel Mann (France/UK)
Producers: Acqua Alta, La Bête, Laila UK
Strange Root - Lam Li Shuen, Mark Chua (Singapore/Indonesia)
Producers: 13 Little Pictures, Emoumie Pictures, Palari Films
Unidentified Actress - Ashim Ahuwalia (India/Germany)
Producers: Future East Film, Rapid Eye Movements
CineMart Immersive Projects
The Dreams of Time - Jeissy Trompiz (Venezuela/Brazil)
Producers: Alamar Films, Migranta Films
Hyperdam - Floris van Laethem (Netherlands)
Producer: Dutch Digital Collectibles
One Charming Night - Robin Coops (Netherlands)
Producers: Studio Biarritz, Coops & Co
Strata - Lilian Hess (Luxembourg)
Producer: a_BAHN
(Traducción del inglés)
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