UPDATE (28 January 2025): The Forum section is completed by Gerd Kroske's documentary Pride & Attitude, which poses the question “What was once gained – what is lost?” through the biographies of former GDR female industrial workers.

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Today, the 75th Berlinale (13-23 February) unveiled the full programme for its Forum section. “The 55th Forum main programme comprises 30 films from five continents – including seven feature debuts – and encounters a world and its people that are in a poor state. Sounding out a diverse range of cinematic forms, the Forum shows contemporary cinema that moves beyond the cult and the commercial – giving off sparks of humanity, interrogating the status quo and functioning as a seismograph of our time,” comments section head Barbara Wurm.

As usual, a wealth of European entries comprises this year’s line-up, such as the new title by seasoned Latvian documentary filmmaker Vitaly Mansky (Putin’s Witnesses [+lee también:
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entrevista: Vitaly Mansky
ficha de la película]), Time to the Target [+lee también:
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ficha de la película], a sober look at a soldiers’ graveyard in L’viv, which stands alongside the second film in the programme about Ukraine in wartime, a tender portrait of Odesa, titled When Lightning Flashes Over the Sea [+lee también:
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ficha de la película], by Eva Neymann (Song of Songs [+lee también:
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ficha de la película]).

Next up is Eighty Plus [+lee también:
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entrevista: Želimir Žilnik
ficha de la película], courtesy of Serbian veteran filmmaker Želimir Žilnik (winner of the festival's Golden Bear in 1969 with Early Works), telling the story of an elderly jazz pianist who returns home to Serbia after six decades living in Germany, and Stefan Hayn’s 2024 (2023), which places the political Berlin and the private Bavaria within the two respective frames Hayn makes for himself as a painter of his surroundings: that of the film shot and that of the painting shown in it.

Meanwhile, the “different facets of the political are revealed across a broad geographical spectrum”, including the “moving, four-hour Berlin institutional study” Palliative Care Unit [+lee también:
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ficha de la película] by Philipp Döring; “the miraculous journey into the underground world of regional Italian singing cultures” offered by Canone effimero [+lee también:
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ficha de la película], a documentary by brothers Gianluca and Massimiliano De Serio (Una promessa [+lee también:
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entrevista: Gianluca y Massimiliano De…
ficha de la película]); and the portrait of a relationship between a Gambian man and an Austrian woman depicted in Ivette Löcker’s Our Time Will Come [+lee también:
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ficha de la película].

“Reflecting on today by looking at the past marks a key quality of the documentary forms showing at the Forum,” states the Berlinale’s official press release. In this respect, the Peruvian-Portuguese found-footage film The Memory of Butterflies [+lee también:
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entrevista: Tatiana Fuentes Sadowski
ficha de la película] by Tatiana Fuentes Sadowski is a reconstruction of indigenous slavery and colonial crimes, and questions the director’s own family connections.

Moreover, the line-up will showcase Sirens Call [+lee también:
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ficha de la película], a debut feature helmed by Lina Sieckmann and Miri Ian Gossing billed as “an artistically daring hybrid film” and “an intimate look at the work of real-life mermaids”. Further European feature debuts include Minimals in a Titanic World [+lee también:
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ficha de la película] by Rwanda’s Philbert Aimé Mbabazi Sharangabo, Veronica Nicole Tetelbaum’s Houses [+lee también:
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ficha de la película], and “the music-charged debut films” by Marie Luise Lehner and Yuri Semashko, titled If You Are Afraid You Put Your Heart into Your Mouth and Smile [+lee también:
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ficha de la película] and The Swan Song of Fedor Ozerov [+lee también:
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entrevista: Yuri Semashko
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Finally, the programme promises “a hint of optimism to be found across the whole spectrum of features, even if the individual fates they narrate are hardly easy”. These titles include Jan Eilhardt’s semi-autobiographical pic Janine Moves to the Country [+lee también:
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ficha de la película] and Juan Daniel Fernández Molero’s hybrid film Punku [+lee también:
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ficha de la película], Elmar Imanov’s “tale of grief, loneliness, intimacy and new starts” The Kiss of the Grasshopper [+lee también:
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entrevista: Elmar Imanov
ficha de la película]. Adilkhan Yerzhanov’s “violent Kazakh genre horror plucked from real life” Cadet and a new experimental effort from US filmmaker James Benning, little boy, are also in the section’s programme.

Here is the full list of the selected titles:

Forum

little boy – James Benning (USA)
Queer as Punk – Yihwen Chen (Malaysia/Indonesia)
Canone effimero [+lee también:
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ficha de la película] – Gianluca De Serio, Massimiliano De Serio (Italy)
Palliative Care Unit [+lee también:
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ficha de la película] – Philipp Döring (Germany)
Janine Moves to the Country [+lee también:
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ficha de la película] – Jan Eilhardt (Germany)
Punku [+lee también:
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ficha de la película] – Juan Daniel Fernández Molero (Peru/Spain)
The Memory of Butterflies [+lee también:
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entrevista: Tatiana Fuentes Sadowski
ficha de la película] – Tatiana Fuentes Sadowski (Peru/Portugal)
Sirens Call [+lee también:
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ficha de la película] – Miri Ian Gossing, Lina Sieckmann (Germany/Netherlands)
After Dreaming – Christine Haroutounian (USA/Armenia/Mexico)
2024 (2023) – Stefan Hayn (Germany)
Tiger's Pond – Natesh Hegde (India/Singapore)
The Trio Hall – Su Hui-yu (Taiwan)
The Kiss of the Grasshopper [+lee también:
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entrevista: Elmar Imanov
ficha de la película] – Elmar Imanov (Germany/Luxembourg/Italy)
Holding Liat – Brandon Kramer (USA)
Pride & Attitude – Gerd Kroske (Germany)
If You Are Afraid You Put Your Heart into Your Mouth and Smile [+lee también:
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ficha de la película] – Marie Luise Lehner (Austria)
Our Time Will Come [+lee también:
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ficha de la película] – Ivette Löcker (Austria)
Time to the Target [+lee también:
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ficha de la película] – Vitaly Mansky (Latvia/Czechia/Ukraine)
Minimals in a Titanic World [+lee también:
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ficha de la película] – Philbert Aimé Mbabazi Sharangabo (Rwanda/Germany/Cameroon)
Spring Night – Kang Mi-ja (South Korea)
The Sense of Violence – Kim Mooyoung (South Korea)
When Lightning Flashes Over the Sea [+lee también:
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ficha de la película] – Eva Neymann (Germany/Ukraine)
Underground – Kaori Oda (Japan)
Evidence – Lee Anne Schmitt (USA)
The Swan Song of Fedor Ozerov [+lee también:
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entrevista: Yuri Semashko
ficha de la película] – Yuri Semashko (Lithuania)
Fwends – Sophie Somerville (Australia)
Colossal – Nayibe Tavares-Abel (Dominican Republic)
Houses [+lee también:
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ficha de la película] – Veronica Nicole Tetelbaum (Israel/Germany)
Cadet – Adilkhan Yerzhanov (Kazakhstan)
What's Next? – Cao Yiwen (Hong Kong/China)
Eighty Plus [+lee también:
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entrevista: Želimir Žilnik
ficha de la película] – Želimir Žilnik (Serbia/Slovenia)

Forum Special

Nudity - Sabina Bakaeva (Uzbekistan/France) (short film)
Iracema - Jorge Bodanzky, Orlando Senna (Brazil/Federal Republic of Germany) (1975)
Scars of a Putsch - Nathalie Borgers (Austria/Belgium)
Inner Blooming Springs - Tiku Kobiashvili (Georgia) (medium-length film)
The Long Road to the Director's Chair - Vibeke Løkkeberg (Norway)
The Lie - Katrin Seybold (Federal Republic of Germany) (1987)
My Armenian Phantoms - Tamara Stepanyan (France/Armenia/Qatar)
Fruit Farm - Nana Xu (Germany/China) (medium-length film)

Forum Expanded

Zizi (or Praying to a Fabulous Tree) - Felipe M. Bragança (Brazil) (short film)
Photosynthesizing Dead in Warehouse - Jeamin Cha (South Korea) (short film)
The Orchards - Antoine Chapon (France) (short film)
Portals - Elena Duque (Spain) (short film)
When the Sun Is Eaten (Chi'bal K'iin) - Kevin Jerome Everson (USA) (short film)
Miraculous Accident - Assaf Gruber (Germany/Austria) (short film)
The Last Day - Mahmoud Ibrahim (Egypt) (short film)
Wilfred Buck’s Star Stories - Lisa Jackson, The Macronauts (Canada) (short film)
Extra Life (and Decay) - Stéphanie Lagarde (France/Netherlands) (short film)
Rumble - Caroline Monnet (Canada) (short film)
I Believe the Portrait Saved Me - Alban Muja (Kosovo/Netherlands) (short film)
Cobalt - Petna Ndaliko Katondolo (Democratic Republic of the Congo/USA)
Mirage: Eigenstate - Riar Rizaldi (Indonesia/UK/Portugal) (short film)
Special Operation - Oleksiy Radynski (Ukraine/Lithuania)
Letters from Absurd - Gabraz Sanna (Brazil) (medium-length film)
STARS - STARS Collective (UK/Germany) (short film)
Mountain Roars - Chonchanok Thanatteepwong, Pobwarat Maprasob (Thailand) (short film)
Tin City - Feargal Ward (Ireland) (short film)