El cine británico y nórdico lidera el contingente europeo en el SXSW
por Martin Kudláč
- Los cineastas europeos llegarán con fuerza al festival de Austin, demsotrando una variada selección de historias y formatos que ponen el foco sobre la exploración cultural y los temas sociales

Este artículo está disponible en inglés.
Following the news from the Sundance Film Festival (see the news), more European films are set to premiere on US ground at South by Southwest (SXSW, 7-15 March) in Austin, Texas. For the festival’s 39th edition, British cinema leads the European representation, followed by Germany, France and the Nordic countries.
In the Narrative Feature Competition, Brwa Vahabpour’s Norwegian dramedy My Uncle Jens [+lee también:
crítica
entrevista: Brwa Vahabpour y Peiman Az…
ficha de la película] focuses on a young literature teacher in Oslo whose life is upended by the unexpected arrival of his estranged Kurdish uncle, with the movie exploring themes of cultural differences and family dynamics. In the Documentary Feature Competition, The Secret of Me, directed by Grace Hughes-Hallett, examines a medical experiment involving identical twins, which led to a global controversy.
The Narrative Spotlight section features American Sweatshop [+lee también:
crítica
entrevista: Uta Briesewitz
ficha de la película], a German social-media thriller by Uta Briesewitz. The film follows a content moderator who is confronted with the darker sides of social media and pursues accountability after encountering a violent video. Other entries in this section include two UK films: Ronan Corrigan’s Lifehack, a satirical drama about teenagers attempting a Bitcoin heist, and Thea Gajić’s Surviving Earth [+lee también:
crítica
entrevista: Thea Gajić y Slavko Sobin
ficha de la película], based on the true story of a Balkan musician adjusting to life in the UK while trying to reconnect with his daughter.
In Documentary Spotlight, Jenny Ash’s Flight 149: Hostage of War examines the Gulf War hostage crisis, focusing on the circumstances that led to a passenger flight landing in a warzone. Snow Leopard Sisters, directed by Ben Ayers, Sonam Choekyi Lama and Andrew Lynch, documents efforts to protect endangered snow leopards in Nepal. Other documentaries include the US-Swiss co-production Mola: A Tale of Tibetan Love and Loss, which follows a 100-year-old nun’s journey to return to Tibet, and Dear Tomorrow [+lee también:
entrevista: Kaspar Astrup Schröder
ficha de la película] by Kaspar Astrup Schröder, a Danish-Japanese-Swedish co-production that explores loneliness in Japan and its societal impact.
In the Midnighter genre section, The Home [+lee también:
crítica
entrevista: Mattias J. Skoglund
ficha de la película] by Mattias J Skoglund is a psychological thriller about a son who discovers unsettling events in his mother’s dementia care home. Babak Anvari’s Hallow Road (see the news) stars Rosamund Pike and Matthew Rhys as parents attempting to reach their daughter following a late-night car accident. Additional flicks include Gerard Johnson’s Odyssey [+lee también:
crítica
ficha de la película], a thriller about a real-estate agent in London navigating the city’s dark underbelly, which will be screened in the Visions section. In the Global strand, Fury [+lee también:
crítica
tráiler
entrevista: Gemma Blasco
ficha de la película] by Gemma Blasco focuses on a woman processing trauma through theatre. Helena Ganjalyan and Bartosz Szpak’s Glorious Summer [+lee también:
crítica
ficha de la película] presents a surreal narrative about three women examining their seemingly stable lives, while Real Faces by Belgian helmer Leni Huyghe is about an ambitious casting director’s high-stakes pursuit of success in Brussels' advertising world, which collides with the quiet life of a reclusive microbiologist, leading to a turbulent romance.
Europe also has a significant presence in the immersive storytelling (XR) categories thanks to Ireland's Honey Fungus, which intertwines ecological science and sensual exploration, and the Netherlands' Shelter, a VR documentary offering an intimate insight into the war in Ukraine. Both works exemplify the region's innovative spirit. Whether delving into speculative ecosystems with Future Botanica or exploring intergenerational connections in Ancestors, European creators are harnessing XR to tackle urgent social issues, foster emotional connections and push artistic boundaries.
Here is the list of European (co-)productions in the festival's sections:
Narrative Feature Competition
My Uncle Jens [+lee también:
crítica
entrevista: Brwa Vahabpour y Peiman Az…
ficha de la película] – Brwa Vahabpour (Norway/Romania/Italy)
Documentary Feature Competition
The Secret of Me – Grace Hughes-Hallett (UK)
Narrative Spotlight
American Sweatshop [+lee también:
crítica
entrevista: Uta Briesewitz
ficha de la película] – Uta Briesewitz (Germany)
Satisfaction [+lee también:
crítica
ficha de la película] - Alex Burunova (USA/Ukraine/Greece/Italy/France)
Lifehack – Ronan Corrigan (UK)
Surviving Earth [+lee también:
crítica
entrevista: Thea Gajić y Slavko Sobin
ficha de la película] – Thea Gajić (UK)
Documentary Spotlight
Flight 149: Hostage of War – Jenny Ash (UK)
Dear Tomorrow [+lee también:
entrevista: Kaspar Astrup Schröder
ficha de la película] - Kaspar Astrup Schröder (Denmark/Japan/Sweden)
Snow Leopard Sisters – Ben Ayers, Sonam Choekyi Lama, Andrew Lynch (UK)
Mola: A Tale of Tibetan Love and Loss - Yangzom Brauen, Martin Brauen (USA/Switzerland)
Midnighter
Hallow Road – Babak Anvari (UK/Ireland/USA)
The Home [+lee también:
crítica
entrevista: Mattias J. Skoglund
ficha de la película] – Mattias J Skoglund (Sweden/Estonia/Iceland)
Visions
Odyssey [+lee también:
crítica
ficha de la película] – Gerard Johnson (UK)
Global
Fury [+lee también:
crítica
tráiler
entrevista: Gemma Blasco
ficha de la película] – Gemma Blasco (Spain)
Glorious Summer [+lee también:
crítica
ficha de la película] – Helena Ganjalyan, Bartosz Szpak (Poland)
Real Faces – Leni Huyghe (Belgium)
Trans Memoria [+lee también:
crítica
tráiler
entrevista: Victoria Verseau
ficha de la película] – Victoria Verseau (Sweden)
Festival Favorite
The Surfer [+lee también:
crítica
tráiler
entrevista: Lorcan Finnegan
ficha de la película] – Lorcan Finnegan (Australia/Ireland)
The Ballad of Wallis Island – James Griffiths (UK)
Zodiac Killer Project [+lee también:
crítica
ficha de la película] – Charlie Shackleton (US/UK)
TV Spotlight
Push – Katja Benrath, Mia Maariel Meyer (Germany)
Mix Tape – Lucy Gaffy (Canada/Australia/Finland/Ireland)
Dates in Real Life [+lee también:
crítica
ficha de la serie] - Jakob Rørvik (Norway)
XR Experience Competition
Proof As If Proof Were Needed – Ting Tong Chang, Matt Adams (Taiwan/UK)
Cosmos in Focus – Tom Henchman, Aditi Rajagopal (UK)
Honey Fungus – Jonah King (Ireland)
In the Current of Being – Cameron Kostopoulos (USA/France)
Reflections of Little Red Dot – Chloé Lee (USA/Germany)
The Last Practice – Phil McCarty (USA/Portugal)
The Choice – Chapters 2 & 3 – Joanne Popinska (Canada/USA/Poland)
Shelters – Sjors Swierstra, Ivanna Khitsinska (Netherlands)
XR Experience Spotlight
The Art of Change – Simone Fougnier, Vincent Rooijers (USA/Italy/Netherlands)
Oto’s Planet – Gwenael François (Canada/France/Luxembourg)
Ancestors – Steye Hallema (Netherlands)
Origins – Life’s Epic Journey – Markos Kay (Germany)
Anouschka – Tamara Shogaolu (USA/Netherlands)
Future Botanica – Marcel van Brakel, Hazal Ertürkan (Netherlands)
Sweet – René van Engelenburg, Gijs ten Cate (Netherlands)
(Traducción del inglés)
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