Unspooling between 19–30 March 2025, the 39th edition of BFI Flare (London LGBTQIA+ Film Festival) will once again present its annual showcase of queer stories on the big screen. Widely considered one of the most important queer cinema events in the world, the festival will open with Andrew Ahn’s take on Ang Lee’s 1993 classic, both titled The Wedding Banquet. Ahn's recently has its world premiere at the Sundance Film Festival.

The rest of the programme divided into three primary thematic strands: Hearts, Bodies, and Minds. The Hearts strand, dedicated to films about "love, romance and friendship”, features the world premiere of A Night Like This (United Kingdom) by debuting Leeds-born director Liam Calvert. The film traces the connection between two men over the course of one cold evening in London. Other European titles from this section include Fatherhood by August B Hanssen and Even G Benestad, Darren Thorton’s sophomore feature Four Mothers [+lee también:
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Standing out in the Bodies lineup is Rebecca Lenkiewicz’s directorial debut Hot Milk [+lee también:
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Created by and starring Lamin Leroy Gibba, the critically well-received German series Black Fruit, about two queer Black German friends, is the only episodic title in both the Minds strand and the programme. This strand, which focuses on “reflections on art, politics and community”, includes a number of titles taking their victory laps on the festival circuit: Fabian Stumm’s tragicomedy Sad Jokes [+lee también:
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ficha de la película] and Alexis Taillant’s queer elder-focused documentary If I Die, It’ll Be of Joy. Several other documentaries continue their festival journeys after recent premieres, including Zackary Drucker's touching trans tribute Enigma, Mea Culpa by Patrick Tass and Peaches Goes Bananas [+lee también:
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The festival will close with erotic thriller Night Stage by Brazilian directing duo Filipe Matzembacher and Marcio Reolon, which just made had world premiere in the Berlinale’s Panorama sidebar. BFI Flare is rounded out with four “best of the year” films: Jane Schoenbrun’s eerie allegorical I Saw the TV Glow, Luca Guadagnino’s Daniel Craig-led Queer [+lee también:
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