email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

CANNES 2025 Marché du Film

Spot the Composer lleva diez talentos internacionales a Cannes

por 

- La sexta edición del programa ofrece a los compositores participantes una plataforma para conectar con directores y productores en busca de música original para sus próximas películas

Spot the Composer lleva diez talentos internacionales a Cannes
Los diez compositores seleccionados (© Marché du Film)

Este artículo está disponible en inglés.

From 16-18 May, the Cannes Marché du Film will once again host Spot the Composer, a programme aimed at fostering collaboration between film composers and directors or producers. Launched in 2020 with the support of SACEM, the initiative offers a structured space for one-to-one meetings, case studies and master classes that encourage direct connections between composers and film professionals seeking original music for their projects.

Each year, ten composers are selected from around the world to participate. The 2025 edition includes talents from Belgium, France, the UK, Nigeria, Spain and Macau. What’s more, two Brazilian composers are joining the cohort in celebration of their home country being the Marché’s 2025 Country of Honour (see the news).

Among the participants is Mateus Alves, known for his ongoing collaboration with Brazilian director Kleber Mendonça Filho on films such as Bacurau [+lee también:
crítica
tráiler
entrevista: Kleber Mendonça Filho, Jul…
ficha de la película
]
, Aquarius [+lee también:
crítica
tráiler
ficha de la película
]
and The Secret Agent. Meanwhile, Arthur Decloedt, a Brazilian- and Belgian-based composer, has contributed music to feature films such as Night Stage by Marcio Reolon and Filipe Matzembacher, and a number of Netflix series, including Pedaço de Mim, which reached the platform’s global top five for non-English-language series in 2024.

Also taking part is Olivier Arson, who has earned two Goya Awards for his work on Rodrigo Sorogoyen’s The Realm [+lee también:
crítica
tráiler
entrevista: Rodrigo Sorogoyen
entrevista: Rodrigo Sorogoyen, Isabel …
ficha de la película
]
and The Beasts [+lee también:
crítica
tráiler
entrevista: Rodrigo Sorogoyen e Isabel…
ficha de la película
]
. The UK is represented by Nainita Desai, who was awarded an Emmy for The Reason I Jump [+lee también:
tráiler
ficha de la película
]
, and her recent projects include the Amazon/Disney series Nautilus and StudioCanal’s feature Something in the Water. Audrey Ismaël from France brings experience scoring television and film, including Consent [+lee también:
crítica
ficha de la película
]
and The Kingdom [+lee también:
crítica
tráiler
entrevista: Julien Colonna
ficha de la película
]
, and has twice received the Best Music Award at the FFTV. Also from France, Delphine Malausséna is currently working on HBO Max’s Merteuil by Jessica Palud and was nominated for Best Original Score at the César Awards for Junkyard Dog [+lee también:
tráiler
ficha de la película
]
by Jean-Baptiste Durand.

Nga Weng Chio, a composer from Macau, based in Los Angeles, enters the programme following acclaim for her work on the upcoming real-time strategy game Stormgate and the feature The Deserving, released on Apple TV. Nigerian composer Ré Olunuga, whose music spans experimental orchestral works and film, joins with a body of work noted for its textural and emotional detail. French composer Jean-Baptiste de Laubier, also known as Para One, brings a background rooted in both film and electronic music, with scores for Céline Sciamma’s films such as Water Lilies [+lee también:
crítica
tráiler
ficha de la película
]
and Portrait of a Lady on Fire [+lee también:
crítica
tráiler
entrevista: Céline Sciamma
ficha de la película
]
. Joan Vilà from Spain rounds off the list – he is known for his work on the features Everyone Will Burn, You Are Not Me, Blue Rai [+lee también:
tráiler
ficha de la película
]
and more than 30 short films, with some among them multi-award-winning and Oscar-qualifying.

Spot the Composer continues to provide a structured environment within the wider Cannes Film Festival where composers and filmmakers can initiate long-term collaborations. By facilitating targeted meetings and knowledge exchange, the programme addresses the essential role of music in film development and production.

Here is the 2025 Spot the Composer selection:

Mateus Alves (Brazil)
Olivier Arson (France/Spain)
Arthur Decloedt (Brazil/Belgium)
Nainita Desai (UK)
Audrey Ismaël (France)
Delphine Malausséna (France)
Nga Weng Chio (Macau/USA)
Ré Olunuga (Nigeria/UK/USA)
Para One (France)
Joan Vilà (Spain)

(Traducción del inglés)

¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.

Privacy Policy