PRODUCCIÓN / FINANCIACIÓN Japón / Francia / Singapur / Filipinas / Indonesia
Renoir, de Chie Hayakawa, entra en la carrera por la Palma de Oro
por Olivia Popp
- La guionista y directora japonesa regresa a la Croisette con su segundo largometraje, un emotivo relato iniciático ambientado en el Tokio de finales de los años ochenta

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Chie Hayakawa heads back to the Cannes Film Festival (see the news) with her sophomore feature, Renoir, billed as a poignant coming-of-age film about resilience and imagination set in Tokyo in 1987. The Japanese writer-director last travelled to Cannes with her acclaimed debut feature, Plan 75 [+lee también:
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Renoir centres on Fuki (Yui Suzuki), a quirky 11-year-old girl navigating adolescence while her father, Keiji (Lily Franky), battles cancer and her mother, Utako (Hikari Ishida), struggles with work-related stress. This combination of circumstances leads Fuki to rely heavily on her imagination to cope as she becomes more psychologically detached from her home environment. Ayumu Nakajima, Yuumi Kawai and Bando Ryota round off the main cast.
Renoir was one of the award-winning feature-film projects at TorinoFilmLab in 2023 (see the news). Principal photography occurred in Japan from July-September 2024, while a November 2024 stint in the Philippines also took place. The cinematography is credited to Hideho Urata, who lensed Plan 75 and the last two features by Singaporean filmmaker Yeo Siew Hua: Stranger Eyes [+lee también:
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The production is a transcontinental team-up between Japan’s Loaded Films and Happinet Corporation, France’s Ici et Là Productions and ARTE France Cinéma, Singapore’s Akanga Film Asia (Tiger Stripes [+lee también:
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(Traducción del inglés)
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