La EFP anuncia la selección de los Producers on the Move 2025
por Cineuropa
- Veinte productores europeos participan en la plataforma de promoción y networking, antes de y durante el Festival de Cannes

Este artículo está disponible en inglés.
In collaboration with its member organisations, European Film Promotion (EFP) has once more selected 20 promising European producers for its 26th edition of Producers on the Move during the Cannes Film Festival (13-24 May).
The producers will participate in tailor-made sessions to foster international co-productions, intensify the exchange of experiences and help create new professional networks. Pre-festival kick-off online gatherings, which already started yesterday and are going to run until the 30th, offer one-to-one speed meetings, round-tables and pitching sessions. All participants will then meet in person during the festival in Cannes from 16-20 May and take part in a five-day, on-site programme, incorporating case studies, social events and an extensive promotional campaign. With their respective companies, the 20 producers are putting forward a wide range of narrative forms and genres, from drama and comedy to documentaries, series and animated films, from horror, fantasy and action to science fiction, coming-of-age and thrillers.
The 2025 Producers on the Move are:
Blerina Hankollari (Albania)
Production company: Artalb Film Production
Andi G Hess (Austria)
Production company: Schubert Film
Géraldine Sprimont (Belgium)
Production company: Need Productions
Magdelena Ilieva (Bulgaria)
Production company: Little Wing Productions
Tamara Babun Zovko (Croatia)
Production company: Wolfgang&Dolly
Daniel Mühlendorph (Denmark)
Production company: Hyæne Film
Lionel Massol (France)
Production company: Films Grand Huit
Fred Burle (Germany)
Production company: One Two Films
Claudia Sümeghy (Hungary)
Production company: JUNO11
Deirdre Levins (Ireland)
Production company: Fantastic Films
Francesca Andreoli (Italy)
Production company: Cinedora
Kristele Pudane (Latvia)
Production company: Sunday Rebel Films
Klementina Remeikaitė (Lithuania)
Production company: Afterschool
Vincent Quénault (Luxembourg)
Production company: Red Lion
Bojana Radulović (Montenegro)
Production company: Code Blue Production
Janne Hjeltnes (Norway)
Production company: Empathitude Pictures
Agnieszka Wasiak (Poland)
Production company: Lava Films
Carla Fotea (Romania)
Production company: microFILM
Eliza Jones (Sweden)
Production company: Grand Slam Film
Thomas Reichlin (Switzerland)
Production company: Alva Film
Three of the selected producers will be presenting their films which have been selected for this year's Cannes Film Festival: Germany's Fred Burle is the co-producer of Kleber Mendonça Filho’s The Secret Agent (selected in competition), Belgium's Géraldine Sprimont is involved in Déni Oumar Pitsaev’s documentary Imago (selected in competition at the Critics’ Week) and France's Lionel Massol is the associate producer of Dorian Jesper's short film Loynes (selected in the Directors' Fortnight).
Six of this year's group of producers were involved in the production of their countries' International Feature Film Oscar entries. Latvia's Kristele Pudane produced Dace Pūce's The Pit [+lee también:
crítica
tráiler
ficha de la película], Albania's Blerina Hankollari produced Gentian Koçi’s A Cup of Coffee and New Shoes On [+lee también:
crítica
tráiler
entrevista: Gentian Koçi
ficha de la película], Italy's Francesca Andreoli produced Maura Delpero's Vermiglio [+lee también:
crítica
tráiler
entrevista: Maura Delpero
ficha de la película], Lithuania's Klementina Remeikaitė produced Laurynas Bareiša's Drowning Dry [+lee también:
crítica
tráiler
entrevista: Laurynas Bareiša
ficha de la película] (as well as his previous Pilgrims [+lee también:
crítica
entrevista: Laurynas Bareisa
ficha de la película]), Switzerland's Thomas Reichlin produced Klaudia Reynicke's Reinas [+lee también:
crítica
tráiler
entrevista: Klaudia Reynicke
ficha de la película] (after having been shortlisted with Kosovo's Hive [+lee también:
crítica
tráiler
entrevista: Blerta Basholli
ficha de la película] as the co-producer in 2022) and Poland's Agnieszka Wasiak co-produced Magnus von Horn's The Girl with the Needle [+lee también:
crítica
tráiler
entrevista: Besir Zeciri
entrevista: Directors Talks @ European…
entrevista: Magnus von Horn
ficha de la película].
Further producers have attracted attention with award-winning films, such as Sweden's Eliza Jones with Ninja Thyberg's Pleasure [+lee también:
crítica
tráiler
entrevista: Ninja Thyberg
ficha de la película] as well as Croatia's Tamara Babun Zovko with Mila Turajlić's IDFA winner The Other Side of Everything [+lee también:
crítica
tráiler
entrevista: Mila Turajlić
ficha de la película] and Luxembourg's Vincent Quénault with Berlinale competitors Black Tea [+lee también:
crítica
tráiler
ficha de la película] by Abderrahmane Sissako and The Safe House [+lee también:
crítica
tráiler
entrevista: Lionel Baier
ficha de la película] by Lionel Baier. Hungary's Claudia Sümeghy and Romania's Carla Fotea are also putting their focus on the production of films for younger audiences; with the former producing Nóra Lakos’ I Accidentally Wrote a Book and the latter, Ana-Maria Comănescu’s debut feature film, Horia [+lee también:
crítica
entrevista: Ana-Maria Comănescu
ficha de la película]. Concentrating on debuts, Denmark's Daniel Mühlendorph takes credit for Lisa Jespersen’s Persona Non Grata [+lee también:
crítica
tráiler
entrevista: Lisa Jespersen
ficha de la película], while other producers follow their trusted talent such as Austria's Andi G Hess who worked on Sandra Wollner’s The Impossible Picture [+lee también:
tráiler
ficha de la película] and The Trouble With Being Born [+lee también:
crítica
tráiler
entrevista: Sandra Wollner
ficha de la película]. Likewise, Norway's Janne Hjeltnes continues working with director Halkawt Mustafa (Hiding Saddam Hussein [+lee también:
crítica
ficha de la película]). With Eternity Package, Bulgaria's Magdelena Ilieva also produces her own films as a director, while other female producers are focusing on stories told from a female perspective and realised by female or LGBTQ+ filmmakers: for example, Ireland's Deirdre Levins was involved in Kate Dolan's You Are Not My Mother, and Montenegro's Bojana Radulović will produce Eleonora Veninova's next project, Fires.
Cineuropa will be publishing interviews with all of the participants in the following days. For more information on every producer, click here.
(Traducción del inglés)
¿Te ha gustado este artículo? Suscríbete a nuestra newsletter y recibe más artículos como este directamente en tu email.