“None of this makes sense. We never should have come. How do we get out of here? Where are we?” In the Quran, the concept that gives its title to Sirât [+lee también:
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“Dad, let’s go, let’s follow them. -They are following us. Are you? It’s not a good idea, you’ll break the car, the roads are very dangerous. -We don’t have a choice.” At the end of an intense rave interrupted by local military declaring a state of emergency, Jade (Jade Oukid), Stef (Stefania Gadda), Josh (Joshua L. Henderson), Tonin (Tonin Janvier) and Bigui (Richard Bellamy) take to their heels with their two small trucks in order to join another party, in the South, near Mauritania. Following their traces closely with his car is Luis (Sergi Lopez), together with Esteban (Bruno Núñez), his son around 10 years old. The man is desperately trying to find his eldest daughter Mar, who has been missing for over five months. Thus begins a crazy journey into completely uninhabited desert and mountain areas…

“The door must be aligned”. Under its epic and dramatic aspects, which are very concrete and drowned in the modern twirling dervish music of Kangding Ray, Sirât offers a vertiginous mystical and metaphysical trip under natural psychotropics. Through the eyes of Luis and his son, once the first obstacles are overcome, another world of more invisible cluse reveals itself, full of peril as extreme emotions rise explosively towards darkness (under a merciless sun). Recycling many genres (a touch of Mad Max, a zest of Zabriskie Point, and the Tawaf ritual at Mecca) and following the subtle thread weaved in his previous works (including Mimosas [+lee también:
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Sirât was produced by Spanish outfits Los Desertores Films AIE, Filmes da Ermida, El Deseo (the Almodóvar brothers’s company) and Uri Films, and French outfit 4 A 4 Productions, and co-produced by Movistar Plus+. The Match Factory is handling international sales.