The results of the second Eurimages Project Evaluation Session of 2025 have just been announced. Further to recommendations made by independent experts meeting online, the Executive Committee of the Fund has decided to support the co-production of 35 feature films, including 5 documentaries and 2 animations, for a total amount of €10 738 000. Of the 35 co-production projects supported during the session, 13 are to be directed or co-directed by women. This represents 39.41% of the total funding awarded.

The films supported include the new work by acclaimed directors such as Poland's Pawel Pawlikovski (Oscar winner for Ida [+lee también:
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entrevista: Pawel Pawlikowski
entrevista: Pawel Pawlikowski
ficha de la película] and Cannes Best Director winner for Cold War [+lee también:
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Q&A: Pawel Pawlikowski
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ficha de la película], whose latest film A Brighter Tomorrow [+lee también:
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ficha de la película] competed in Cannes, like all of his films since Caro diario), who has received €127,000 for It Will Happen Tonight (Italy/France/Spain), a romantic drama loosely inspired by Hungry Heart, a collection of short stories by Israeli writer Eshkol Nevo, set to star Louis Garrel and Jasmine Trinca (read news); Japan's Ryusuke Hamaguchi (Oscar and Cannes Best Screenplay winner for Drive My Car and Venice Grand Jury Prize winner for Evil Does Not Exist), who has received €476,000 for his first European co-production All of a Sudden (France/Japan/Germany/Belgium), a story revolving around the bond between two women, a Japanese theater director and a French nurse, set to star Virginie Efira and Tao Okamoto; Romania's Radu Jude (Berlinale Golden Bear winner for Bad Luck Banging or Loony Porn [+lee también:
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entrevista: Radu Jude
ficha de la película], recently awarded with Locarno's Special Jury Prize for Do Not Expect Too Much from the End of the World [+lee también:
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entrevista: Radu Jude
ficha de la película] and Berlinale's Best Screenplay award for Kontinental '25 [+lee también:
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ficha de la película]), who has received €300,000 for Diary of a Chambermaid (France/Romania), a story about a Romanian woman who travels to France to work for a French family and joins an amateur theatre company working on an adaptation of Octave Mirbeau’s The Diary of a Chambermaid; as well as Belgium's Lukas Dhont (Cannes Caméra d'Or winner for Girl [+lee también:
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entrevista: Lukas Dhont
ficha de la película] and Grand Prix winner for Close [+lee también:
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entrevista: Eden Dambrine
entrevista: Lukas Dhont
entrevista: Lukas Dhont
ficha de la película]), who has received €500,000 for Coward (Belgium/France/Netherlands), and Felix van Groeningen (Cannes Jury Prize winner for The Eight Mountains [+lee también:
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entrevista: Felix van Groeningen & Cha…
ficha de la película]), who has received €150,000 for Let Love In (Belgium/Italy).

Other established filmmakers that have received funding for their new projects are Hungary's Kornél Mundruczó (Cannes' Un Certain Regard winner White God [+lee también:
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entrevista: Kornél Mundruczó
ficha de la película], Venice Best Actress winner Pieces of a Woman [+lee también:
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entrevista: Kornél Mundruczó y Kata Wé…
ficha de la película]) with €500,000 for The Revolution according to Kamo (Hungary/Germany/France/Poland); Romania's Adina Pintilie (Berlinale Golden Bear winner for Touch Me Not [+lee también:
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entrevista: Adina Pintilie
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entrevista: Kristina Grozeva, Petar Va…
ficha de la película]) with €150,000 for Black Money for White Nights (Bulgaria/Greece); Belgium's Michaël Roskam (Bullhead [+lee también:
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entrevista: Bart Van Langendonck
entrevista: Michaël R. Roskam
ficha de la película]) with €490,000 for Le Faux Soir (Belgium/France); Austria's Marie Kreutzer (Corsage [+lee también:
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entrevista: Marie Kreutzer
entrevista: Marie Kreutzer
ficha de la película]) with €500,000 for Gentle Monster (Austria/Germany/France); France's Bertrand Mandico (The Wild Boys [+lee también:
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entrevista: Bertrand Mandico
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entrevista: Bertrand Mandico
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Q&A: Marco Martins
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entrevista: Michal Blaško
ficha de la película]), with €240,000 for Cowgirl (Slovakia/Czech Republic/Hungary); Finland's Klaus Härö (The Fencer [+lee también:
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entrevista: Ivo Felt
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entrevista: Paul Negoescu
ficha de la película]), with €131,000 for Atlas of the Universe (Romania/Bulgaria); Italy's Alina Marazzi, with €500,000 for The Girl with the Leica (Italy/Germany); France's Siddiq Barmak (Osama), with €72,000 for The Postman (Germany/France/Turkey); Spain's Neus Ballus, Germany's Anne Zohra Berrached, Poland's Anna Jadowska and Switzerland's Stina Werenfels, with €500,000 for their omnibus film Each of Us (Spain/Poland/Germany/Switzerland); and Ireland's father-son team Ian & Gabe Gabriel, with €290,000 for Granny Lee (Canada/South Africa/Ireland).

The supported second fiction features are Dua (Switzerland/France/Kosovo) by Kosovo's Blerta Basholli (winner of the Sundance World Cinema Dramatic Competition Grand Jury Prize for Hive [+lee también:
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entrevista: Blerta Basholli
ficha de la película]), with €300,000, and Mary Magdalene (France/Belgium/Luxembourg) by Haiti's Gessica Généus (Freda [+lee también:
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ficha de la película]), with €300,000.

The supported first fiction features are Ducks (France/Germany) by France's Neary Adeline Hay, with €500,000; Pipaluk (France/Denmark) by France's Thierry Machado, with €500,000; and Species (France/Belgium) by France's Marion Le Corroller, with €352,000; The Indies (Switzerland/Spain) by Switzerland's Pauline Julier and Nicolas Chapoulier, with €280,000; Spring Cleaning (North Macedonia/Greece/Slovenia/Serbia) by North Macedonia's Marija Apcevska, with €210,000; and The Rumour (Denmark/Sweden) by Denmark's Amalie Næsby Fick, with €190,000.

Regarding the financed animation films, there are two titles in this session: Dansker (Denmark/Luxembourg/Netherlands/Sweden) by Denmark's Jonas Poher Rasmussen, with €500,000 and Yugly (Belgium/France) by Belgium's Jérémie Degruson and France's Yanis Belaid, with €500?000.

As for the supported documentaries, the titles are Autumn of the Patriarch (Norway/Germany/Croatia) by Russia's Anna Bogoliubova and Norway's Torstein Grude, with €150,000; The Siege of Paradise (Ireland/Switzerland) by Ireland's Gar O'Rourke, with €110,000; Our Seeds (Turkey/Germany/Greece) by Turkey's Erhan Arık, with €90,000; War on Women (Estonia/Germany) by Estonia's Maris Salumets, with €90,000; and The Gods Must Be Mistaken (Germany/Slovenia/Italy/Croatia) by Slovenia's Jakob Krese, with €80,000.