Monday 1 September saw Martin Provost commence filming in Dieppe on Demain je tombe amoureux, his 9th feature film after Séraphine [+lee también:
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entrevista: Martin Provost
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entrevista: Anamaria Vartolomei
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The cast stars Fabrice Luchini (awarded the Volpi Cup for Best Actor in Venice 2015 via Courted [+lee también:
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entrevista: François Ozon
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entrevista: Bruno Dumont
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ficha de la película] and in December in La Condition), Chiara Mastroianni (awarded the Un Certain Regard Prize for Best Actress in Cannes 2019 and nominated for the Best Actress César in 2020 thanks to On A Magical Night [+lee también:
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entrevista: Christophe Honoré
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entrevista: Dominik Moll
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Written by the director himself, the story focuses on Émile, a literature professor living in Dieppe. On his last day before retiring, he gives his young students one final lesson on literature and love, encouraging them to become the poets of their own existences. One of his female students asks him about his own feelings. Is Émile still in love with his wife? Incapable of answering, he discovers on returning home that his wife has left him, and he subsequently finds himself having to practice what he preaches. But two encounters and a reunion help him to reinvent himself…

Demain je tombe amoureux is being produced by Francois Kraus and Denis Pineau-Valencienne on behalf of Les Films du Kiosque, in co-production with France 3 Cinéma, Volapuk and Belgian firm Umedia. Pre-purchased by Canal+ and Ciné+ OCS, the feature film also enjoys support from an impressive pool of SOFICA companies (Indefilms, Cofinova, Soficitvciné, Cinémage, Entourage, Cofimage, Sansofica), as well as from Ufund and Procirep/Angoa. Filming will proceed in Dieppe until mid-October, with Guillaume Schiffman (awarded the 2012 Oscar in his speciality for The Artist [+lee también:
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entrevista: Michel Hazanavicius
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For the record, Les Films du Kiosque are currently overseeing post-production on Mi Amor by Guillaume Nicloux (starring Pom Klementieff, Benoît Magimel and Freya Mavor) and L’objet du délit by Agnès Jaoui (read our article).