Doclisboa has announced this year’s programme, consisting of screenings of 211 films from 54 countries. Unspooling from 16 to 26 October, this will be the festival’s first year under Hélder Beja’s directorship, with Boris Nelepo and Cecilia Barrionuevo appointed as programme heads. Kamal Aljari’s With Hasan in Gaza [+lee también:
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Out of the 39 world premieres spanning this year’s programme, seven are part of the International Competition: Vadim Kostrov’s Towards the Light (France), Victoria Hely-Hutchinson’s Vacances (USA/France), Mahmoud Massad’s Cinema Kawakeb (Jordan/Qatar/Netherlands), Angela Summereder’s B for Bartleby (Austria), Giorgos Athanasiou’s The Anything (Greece), Ebrû Avci’s Tell Me a Fairy Tale (Turkey), and, lastly, Nate Lavey’s The Strongest Lightning Strikes Not From Dark Skies (USA). The International Competition has a total of 12 films and also includes Fabrice Aragno’s Locarno competitor The Lake [+lee también:
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The National Competition is composed of the same number of films (and world premieres), divided, in this instance, into three shorts and nine features, and comprising seven world premieres. This vast and diverse programme will screen Maureen Fazendeiro’s Locarno competitor The Seasons [+lee también:
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In terms of the non-competitive sections, the New Visions line-up has also been announced and comprises several sub-sections: the Invited Director line-up (featuring Trương Minh Quý and Nicolas Graux, and Hala Elkoussy), Shadowboxing (dedicated to Palestine), Dark Star (with two films directed by Jacques Meilleurat and Stan Brakhage’s Anticipation of the Night), The Photographer’s Clairvoyance - From 1875 to 2025 (linking two contemporary films to “The Adventures of Gabriel Veyre Around the World”) and Other New Visions, amongst many other offerings.

The festival has already announced a retrospective dedicated to William Greaves (co-curated with Scott MacDonald), as well the Heart Beat section (relating to different artistic expressions) and a line-up entitled From the Earth to the Moon (described as a “cinematic journey around the Planet, where each film is woven from the same fabric that binds us: memory and life”). This last section includes the newest works by Lucrecia Martel (Landmarks [+lee también:
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This year’s edition of the festival will be closed by Eugène Green’s The Tree of Knowledge [+lee también:
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