Custody [+lee también:
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entrevista: Xavier Legrand
ficha de la película], Sympathy for the Devil [+lee también:
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entrevista: Ella Rumpf
entrevista: Guillaume de Fontenay
ficha de la película], Alcarras [+lee también:
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entrevista: Carla Simón
entrevista: Carla Simón
entrevista: Giovanni Pompili
ficha de la película], Happening [+lee también:
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entrevista: Anamaria Vartolomei
ficha de la película]… Since its creation, with its focus on first and second feature films, the Saint-Jean-de-Luz International Film Festival has presented scores of blossoming, talented young directors. Between 6 and 12 October, the 12th edition of the Basque event will continue to plough this high-quality furrow, notably offering up a competition comprising 10 feature films (one enjoying a world premiere and nine in French premieres) which are set to be pored over by a jury led by Hugo Becker (and further including Leyla Bouzid, Mara Taquin, Stéphane Ly-Cuong and Fanny Disney).

Five first feature films stand tall among the movies battling it out for the 2025 Grand Prize: The Girls from Above by Belgium’s Bérangère McNeese, Sauvons les meubles by fellow Belgian Catherine Come (article), and three titles by French filmmakers in the form of Élise sous emprise by Marie Rémond (screening in a world premiere – read our article), Louise by Nicolas Keitel (article) and Morade Aïssaoui’s thriller N121 Bus de nuit.

They’re joined by five second feature films: the Chinese title Le temps des moissons by Huo Meng (awarded the Silver Best for Best Director in Berlin), Sukkwan Island [+lee también:
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ficha de la película] by Vladimir de Fontenay (acclaimed at the Sundance Film Festival), The Good Sister [+lee también:
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entrevista: Sarah Miro Fischer y Marie…
ficha de la película] by Germany’s Sarah Miro Fischer (discovered in Berlin’s Panorama line-up), A Year of School [+lee también:
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entrevista: Laura Samani
ficha de la película] by Laura Samani (awarded the Best Actor Orizzonti Prize in Venice last month) and Pieces of a Foreign Life by the Syrian-born, French-based director Gaya Jiji.

Ten additional feature films will round things off out of competition, notably the French movies La petite cuisine de Mehdi by Amine Adjima (article), which is opening the festival today, The Richest Woman in the World [+lee también:
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entrevista: Thierry Klifa
ficha de la película] by Thierry Klifa, stealing the closing slot, Furcy by Abd Al Malik, La femme de by David Roux (article), Sans pitié by Julien Hosmalin, the documentary Dites-lui que je l’aime [+lee también:
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ficha de la película] by Romane Bohringer (unveiled in a Cannes Special Screening) and Vache folle by Hugo Diego Garcia and Lorenzo Bentivoglio, which is also showcasing in a Special Screening. We’ll likewise see the Belgian works Wild Foxes [+lee también:
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entrevista: Valéry Carnoy
ficha de la película] by Valéry Carnoy (also discovered on the Croisette, in the Directors’ Fortnight) and On the Edge [+lee también:
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entrevista: Guérin Van de Vorst, Sophi…
ficha de la película] by Guérin van de Vorst and Sophie Muselle, as well as The New West by US director Kate Beecroft (awarded the Audience Award in Sundance).

Last but not least, a Young Audience line-up will showcase Arco by Ugo Bienvenu (unveiled in Cannes and awarded Annecy’s Grand Prize) and The Songbirds’ Secret [+lee también:
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ficha de la película] by Antoine Lanciaux, among other titles, with an array of short films also gracing the agenda, both in and out of competition.