The Swedish capital will turn into a 12-day celluloid carnival from 5-16 November, as the Stockholm International Film Festival rolls out the red carpet for its 36th edition. The programme, freshly unveiled, presents 130 films from 60 countries, ranging from the big-league fare from Sundance, Cannes, Venice, Toronto et al to smaller personal discoveries from across the globe. An elaborate industry programme, now expanded with an extra day, takes place from 10-13 November. Master classes, panel discussions and personal appearances by assorted celebrities and dignitaries are all part of the grand plan. As per tradition, the screenings play out in some of the most exquisite classic movie theatres of the city.

Opening the festivities is local lad done good Tarik Saleh, living three subway stops away from one of said lavish movie palaces, Skandia, where Eagles of the Republic [+lee también:
crítica
tráiler
entrevista: Tarik Saleh
ficha de la película] will get its Swedish premiere. This final part of Saleh’s “Cairo Trilogy” premiered at Cannes, where part two, Boy from Heaven [+lee también:
crítica
tráiler
entrevista: Tarik Saleh
ficha de la película], also partook. Closing the festival is another Cannes 2025 contestant, Lynne Ramsay’s Die, My Love, with Park Chan-wook’s Venice entry No Other Choice [+lee también:
crítica
tráiler
ficha de la película] playing the half-time gala. Other luminous titles from the grand arenas include Werner Herzog’s Ghost Elephant, François Ozon’s The Stranger [+lee también:
crítica
tráiler
entrevista: François Ozon
ficha de la película], Kelly Reichardt’s The Mastermind, Richard Linklater’s Blue Moon [+lee también:
crítica
ficha de la película], Christian Petzold’s Mirrors No. 3 [+lee también:
crítica
tráiler
entrevista: Christian Petzold
ficha de la película] and Raoul Peck’s Orwell: 2+2=5 [+lee también:
tráiler
ficha de la película], the latter also one of the 14 entries in the Documentary Competition.

Peck will be up against the likes of Gianfranco Rosi’s Below the Clouds [+lee también:
crítica
tráiler
entrevista: Gianfranco Rosi
ficha de la película], Charlie Shackleton’s Zodiac Killer Project [+lee también:
crítica
ficha de la película] and Ross McElwee’s Remake, which is also part of this year’s festival spotlight theme, “Be Kind Rewind”, addressing nostalgia and the recapturing of the past via visual media. In the main 2025 Stockholm Competition, 19 titles are competing for the grand Bronze Horse Awards, among them Mascha Schilinski’s Sound of Falling [+lee también:
crítica
tráiler
ficha de la película], Tereza Nvotová’s Father [+lee también:
crítica
tráiler
entrevista: Tereza Nvotová
ficha de la película], Kleber Mendonça Filho’s The Secret Agent [+lee también:
crítica
tráiler
ficha de la película], Pella Kågerman and Hugo Lilja’s Egghead Republic [+lee también:
crítica
ficha de la película], and Julia Ducournau’s Alpha [+lee también:
crítica
tráiler
ficha de la película]. Also entered here is Harry Lighton’s Pillion [+lee también:
crítica
ficha de la película], starring Alexander Skarsgård, whose family is enjoying an extraordinary year, acting-wise, with brother Bill shining in Gus Van Sant’s Dead Man’s Wire and dad Stellan doing the same in Joachim Trier’s Sentimental Value [+lee también:
crítica
tráiler
entrevista: Joachim Trier
ficha de la película]. Alexander Skarsgård will additionally be honoured with the special 2025 Stockholm Achievement Award, while the festival’s Visionary Award goes to Benny Safdie, in town to present his latest work, the Venice Best Director winner The Smashing Machine. A special guest of honour is Isabella Rossellini, who will share the stage for a conversation with Stig Björkman, a friend and the director of Ingrid Bergman: In Her Own Words. Rossellini will also be devoting a special tribute to director David Lynch, to whom this year’s edition of the festival is dedicated, and who came along in 1990 to present the very first film at the very first edition, Wild at Heart. A special deep dive into Blue Velvet is promised as well as a Lynch-o-Mania bash at the legendary Spy Bar, running into the very wee hours of the autumnal Northern night.

The full programme can be perused here.