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BERLINALE 2026 EFM

Totem Films presenta un trío de ases en Berlín

por 

- El agente de ventas francés apostará por Allegro Pastell de Anna Roller y Roya de Mahnaz Mohammadi en Panorama, y por 17 de Kosara Mitic en Perspectives

Totem Films presenta un trío de ases en Berlín
Allegro Pastell, de Anna Roller

Este artículo está disponible en inglés.

Returning to a major festival where they’ve often met with success in the past (in 2024, for example, thanks to My Favourite Cake [+lee también:
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and Crossing [+lee también:
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entrevista: Levan Akin
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), French international sales agent Totem Films will be approaching the European Film Market (running 12 – 18 February) - unspooling within the 76th Berlinale - with bags of optimism. Their line-up includes no fewer than three titles selected in various showcases across the festival: Allegro Pastell [+lee también:
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entrevista: Anna Roller
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by Germany’s Anna Roller and Roya [+lee también:
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entrevista: Mahnaz Mohammadi
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by Iran’s Mahnaz Mohammadi are set to world premiere in the Panorama line-up, while 17 [+lee también:
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entrevista: Kosara Mitić
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by North Macedonian director Kosara Mitic will be battling it out in the Perspectives section.

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Anna Roller’s second feature film after Dead Girls Dancing [+lee también:
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entrevista: Katarina Stark
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(in competition in Tribeca in 2003), Allegro Pastell is toplined by Sylvaine Faligant (in her first big screen appearance) and Jannis Niewöhner (a European Film Promotion Shooting Star of 2015 and notably acclaimed in Je suis Karl [+lee también:
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entrevista: Christian Schwochow
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). Penned by Leif Randt, the story revolves around novelist Tanja and web designer Jérôme, both in their thirties, who have found the perfect balance of intimacy and separation in their long-distance relationship. When Tanja catches a glimpse of their settled future together, she wonders whether it’s really what she wants… Production was steered by Munich-based firm Walker + Worm Film.

Totem Films’ second asset in the Panorama line-up is Roya by Iranian filmmaker Mahnaz Mohammadi (who’s been imprisoned a number of times in her homeland since 2007 and whose back-catalogue notably includes Son-Mother [+lee también:
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). The cast stars Turkey’s Melisa Sözen (Winter Sleep [+lee también:
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entrevista: Nuri Bilge Ceylan
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),
Iran’s Maryam Palizban and Hamidreza Djavdan. Written by the director herself, the story revolves around Roya, an Iranian teacher who’s been imprisoned for her political convictions and who’s faced with a choice: to make a forced confession or remain trapped in her 3-metre-square cell… Production was steered by Germany’s PakFilm and Czech outfit Europe Media Nest in co-production with Amour Fou Luxembourg and Filminiran.

No stranger to unearthing new talent, Totem Films is also in on the action in the Perspectives competition thanks to 17, the debut feature film by North Macedonia’s Kosara Mitic who wrote the screenplay with Ognjen Svilicic. The story follows 17-year-old Sara who’s hiding a secret on a school trip. When things degenerate and Sara witnesses a sexual assault on a classmate, she and this young woman forge a bond which will last forever… Eva Kostić and Martina Danilovska steal focus in the cast. Production was entrusted to Black Cat Production (Macedonia) in co-production with Art & Popcorn (Serbia) and December (Slovenia).

Last but not least, the Totem team led by Bérénice Vincent will be pre-selling Emma Doucet by Élise Girard (Sidonie in Japan [+lee también:
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entrevista: Élise Girard
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), on which filming is due to kick off in April, starring Luxembourg star Vicky Krieps and French actor Alex Lutz in lead roles. Penned by the director, the story centres on Emma Doucet, a forty-something single mother who divides her time between work, volunteering as a public writer, her lover and her son. When she meets the French Prime Minister Michel Villaverde, it’s love at first sight. It’s an impossible romance but Emma and Michel struggle to resist the attraction they feel towards one another and embark upon a correspondence-based affair. Little by little, Emma begins to question her certainties in life and her teenage son’s existential crisis feels strangely similar to what she’s going through… Production was steered by French firm 10:15 Productions in co-production with Arte France Cinéma and Germany’s Lupa Film.

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(Traducción del francés)

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