Polarise Nordic Film Nights returns to Brussels for its fifth edition, running from 4-15 March, presenting films from Iceland, Denmark, Sweden, Greenland, Finland, Norway and Sápmi that seldom reach Belgian screens. This year's programme places women's voices, indigenous identities and environmental struggles at its core.

To tie in with International Women’s Rights Week, the gathering opens with The Day Iceland Stood Still [+lee también:
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ficha de la película] by Pamela Hogan, screening at Cinéma Aventure on 4 March. The documentary revisits the period of October 1975, when nine out of ten Icelandic women went on strike, bringing the country to a standstill, changing the course of history and the status quo in Iceland, and setting an example for furthering women’s rights and gender equality.

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The official opening night, taking place on 11 March at Cinéma Galeries, features Beginnings [+lee también:
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entrevista: Jeanette Nordahl
ficha de la película] by Jeanette Nordahl, co-produced by Denmark, Sweden and Belgium, with Trine Dyrholm starring in a role exploring tenderness, love and pain. The film took 200,000 admissions in its first week on release in Denmark.

On 12 March, The Cost of Growth – screened alongside a Q&A with director Thomas Maddens and producer Erika Jangen – examines the consequences of economic expansion, such as environmental degradation, the exploitation of land and people, and the social upheaval of communities caught in the machinery of development. The movie follows Anuna de Wever, Lena Hartog and Greta Thunberg across Europe, from the GKN factory in Florence to lithium mines in Serbia and the Sámi people's fight to defend their lands.

On 13 March, My Fathers' Daughter [+lee también:
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On 14 March, the festival dedicates a full evening to Greenlandic cinema. Sumé – The Sound of a Revolution [+lee también:
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ficha de la película] tells the story of the first Greenlandic rock band, who sang in Kalaallisut at a time when the language was being suppressed, thus using music as a form of political and cultural resistance. The screening is followed by Walls – Akinni Inuk, which was rewarded with the DOX Award at CPH:DOX, and which examines the fight of Greenlandic women against systemic injustice. The double bill comes at a moment when Greenland has returned to the centre of international geopolitical attention.

The festival closes on 15 March with a comedy programme: the short film Sit. Stay. Play. by Cecilie Flyger Hansen will be screened in the presence of the director, followed by 100 Liters of Gold [+lee también:
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entrevista: Teemu Nikki
ficha de la película], a Finnish comedy by Teemu Nikki (The Blind Man Who Did Not Want to See Titanic [+lee también:
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entrevista: Teemu Nikki y Jani Pösö
entrevista: Teemu Nikki, Jani Pösö y…
ficha de la película], Death Is a Problem for the Living), which centres on Sahti, the traditional Finnish beer, and the women who brew it.